[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-love-you":3},"title: I Love You\ncomposer: Cole Porter\nstyle: Up\nkey: F\nform: ABCD, 32 bars\nrecording: John Coltrane; Lush Life; Prestige; 1961\nyoutube: wiB1NutB8UI\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1957-08-16, Van Gelder Studio, Hackensack, trio with Earl May and Art Taylor, PRLP 7188, released 1961; songbook standard → Coltrane's up-tempo trio reading (jazzdisco); video: John Coltrane's official channel (Craft), from Lush Life, the same take\n\n# bar | chord | scale\n\nsection: A\n# area: F major (A 1 – B 3)\n1 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7 of F: the b9 from the symbol\n3 | FMaj7   # tonic: the 4th is in the key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n7 | BbMaj7  # IV: the #4 is the key’s 7th\n8 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: B\n1 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7 of F: the b9 from the symbol\n3 | FMaj7   # tonic: the 4th is in the key\n# area: A major (B 4–8)\n4 | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7#9    # V7 of A: b9, #9 and #11 from the symbol\n5 | AMaj7   # tonic: the 4th is in the key\n5 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Bm7     # ii of the ii–V to A\n6 | E7      # V7 of A: natural tensions\n7 | AMaj7   # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G minor\n8 | D7      # V7\u002Fbvii in A: the #11 is in the key\n\nsection: C\n# area: F major (C 1 – D 8)\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n5 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Gm7     # ii of C7b9: Dorian\n8 | C7b9    # V7\u002FI in F: the b9 from the symbol\n\nsection: D\n1 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n3 | Am7b5   # iiø7 of D7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7#9    # extended dominant: V7 of G7; b9, #9 and #11 from the symbol\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n7 | BbMaj7  # IV: the #4 is the key’s 7th\n8 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | D7      # V7\u002Fii in F: the b13 is in the key\n",1793484800177]