[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-love-lucy":3},"title: I Love Lucy\ncomposer: Eliot Daniel\nstyle: Bright samba\nkey: F\nform: AA, 32 bars\nrecording: Richie Cole; Hollywood Madness; Muse; 1979\nyoutube: 8-czkB-6GSA\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1979-04-25, Home Grown Fidelity Studio, Studio City, Richie Cole with Dick Hindman, Bruce Forman, Marshall Hawkins, Les DeMerle, Michael Spiro, the Manhattan Transfer's singers, Muse MR 5207 (some sources give 1980); the chart is \"as played by Richie Cole\" (MusicBrainz, AllMusic); video: \"Provided to YouTube by Universal Music Group\", Pure Madness (Savoy, 1999, the Muse reissue compilation produced by Tim Hauser), the same take inferred\n# book: as played by Richie Cole; cut time (2\u002F2)\n# solo on A (both endings); after solos, D.S. al Coda\n\n# bar | chord\n# Intro: vamp bars 1–2 till cue, then bar 3 on cue\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – A 10)\n1  | FMaj9   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm9     # ii of C7: Dorian\n2  | C7      # V7\u002FI in F: natural tensions\n@ending 1 2\n3  | Gm9     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n@ending 2 3\n\nsection: A\n@segno 1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Dm7     # ii of G13#11: Dorian\n7  | G13#11  # V7\u002FV in F: the #11 from the symbol\n8  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (A 11–13)\n11 | Em7     # ii of the ii–V to D\n12 | A7      # V7 of D: natural tensions\n13 | DMaj7   # tonic: the 4th is in the key\n# area: F major (A 15 – Coda 9)\n15 | Gm9     # ii of C13sus: Dorian\n16 | C13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | C7      # V7 in F, not resolving: natural tensions\n@ending 1 9 16\n17 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | Dm7     # ii of G7: Dorian\n19 | G7      # V7\u002FV in F: natural tensions\n20 | G7\n@coda 20\n21 | Gm7     # ii of the ii–V to F\n22 | C7      # V7 of F: natural tensions\n23 | F6      # tonic: the 4th is in the key\n# bars 23–24: solo break; alt (optional): bars 23–24 (Dm7 | Gm7 C7)\n24 | F6\n@ending 2 17 24\n@nav 24 D.S. al Coda\n\nsection: Coda\nbars: 12\n@coda 1\n1  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n# bars 5–6: alto solo, vamp till cue; bars 7–9 on cue\n5  | FMaj9   # tonic: the 4th is in the key\n5  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm9     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj9   # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm9     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n9  | Gm7     # ii of the ii–V to F\n9  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n",1793484800166]