[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-hear-a-rhapsody":3},"title: I Hear A Rhapsody\ncomposer: Fragos, Baker, Gasparre\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 3)\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 1  | Gb7#11  # tritone substitute: resolves down a half step to Fm7\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n4  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | Abm7    # iv7 from the parallel minor: Dorian, its notes\nalt 5  | Fm7b5   # iiø7, borrowed from Eb minor: Locrian\nalt 5  | Abm7    # iv7 from the parallel minor: Dorian, its notes\n6  | Bm7     # a borrowed minor chord: Dorian, its own key\n6  | Bb7     # V7 of Eb: natural tensions\nalt 6  | Bb7b9   # V7 in Eb, not resolving: the b9 from the symbol\nalt 6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | Dm7b5   # iiø7 of G9#5: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G9#5    # V7\u002Fvi in Eb: the b13 is in the key, 9 and #11 from the symbol\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Bb major (B 4 – A2 1)\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n6  | Fm7     # a borrowed minor chord: Dorian, its own key\nalt 6  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n8  | G9#5    # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n\nsection: A2\n1  | Cm7     # ii: Dorian, the key’s own notes\nalt 1  | Cm7     # ii: Dorian, the key’s own notes\nalt 1  | Gb7#11  # tritone substitute: resolves down a half step to Fm7\n# area: Eb major (A2 2–8)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n4  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | Abm7    # iv7 from the parallel minor: Dorian, its notes\nalt 5  | Fm7b5   # iiø7, borrowed from Eb minor: Locrian\nalt 5  | Abm7    # iv7 from the parallel minor: Dorian, its notes\n6  | Bm7     # a borrowed minor chord: Dorian, its own key\n6  | Bb7     # V7 of Eb: natural tensions\nalt 6  | Bb7b9   # V7 in Eb, not resolving: the b9 from the symbol\nalt 6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G9#5    # V7\u002Fvi in Eb: the b13 is in the key, 9 and #11 from the symbol\n",1793575890461]