[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-have-dreamed":3},"title: I Have Dreamed\ncomposer: Richard Rodgers, Hammerstein\nstyle: Medium Swing\nkey: F\nform: ABCD, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1 – B 7)\n1  | F6      # tonic: the 4th is in the key\n2  | Gm7\u002FF   # ii: Dorian, the key’s own notes\n3  | F       # tonic: the 4th is in the key\n4  | Gm7\u002FF   # ii: Dorian, the key’s own notes\n5  | F6      # tonic: the 4th is in the key\n6  | Gm7\u002FF   # ii of Gm7\u002FC: Dorian\n7  | Gm7\u002FC   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | C9      # V7 in F, not resolving: natural tensions\n\nsection: B\n1  | G6      # a non-tonic major chord: Lydian\n2  | Am7\u002FG   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G       # a non-tonic major chord: Lydian\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6      # tonic: the 4th is in the key\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7\u002FV in F: natural tensions\n7  | C       # V without its 7th: Mixolydian, the key’s own notes\n# area: A major (B 8 – C 6)\n8  | Bm7     # ii of the ii–V to A\n8  | E7      # V7 of A: natural tensions\n\nsection: C\n1  | A6      # tonic: the 4th is in the key\n2  | Bm7\u002FA   # ii: Dorian, the key’s own notes\n3  | A       # tonic: the 4th is in the key\n4  | Bm7\u002FA   # ii: Dorian, the key’s own notes\n5  | A6      # tonic: the 4th is in the key\n6  | Bm7\u002FA   # ii: Dorian, the key’s own notes\n# area: F major (C 7 – D 12)\n7  | Gm6     # a minor sixth chord: Dorian\n8  | C7      # V7 of F: natural tensions\n\nsection: D\n1  | F6      # tonic: the 4th is in the key\n2  | Em7     # ii of the ii–V to D minor\n2  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FV in F: natural tensions\n5  | F6\u002FC    # tonic: the 4th is in the key\n6  | Bb      # IV: the #4 is the key’s 7th\n6  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm7     # ii of G7: Dorian\n8  | G7      # V7\u002FV in F: natural tensions\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n",1793575890450]