[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-hadnt-anyone-till-you":3},"title: I Hadn't Anyone Till You\ncomposer: Ray Noble\nstyle: Medium Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 4)\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # V7\u002FI in F: natural tensions\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | F6      # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # extended ii–V: a side-step, its own key\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # extended ii–V: a side-step, its own key\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # extended dominant: V7 of G7\n7 | G7      # II7 in F, not resolving: natural tensions\n8 | G7\n\nsection: B\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # V7\u002FI in F: natural tensions\n2 | G7      # II7 in F, not resolving: natural tensions\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | DmMaj7  # from the symbol: minor-major 7th\n4 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm6     # a minor sixth chord: Dorian\n# area: A major (B 4–8)\n4 | Bb7     # tritone substitute: resolves down a half step to AMaj7\n5 | AMaj7   # tonic: the 4th is in the key\n5 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Bm7     # ii of E7: Dorian\n6 | E7      # extended dominant: V7 of A7\n7 | A7      # extended dominant: V7 of D7\n7 | D7      # extended dominant: V7 of G7\n8 | G7      # extended dominant: V7 of C7\n8 | C7      # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: A2\n# area: F major (A2 1 – C 8)\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # V7\u002FI in F: natural tensions\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | F6      # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # extended ii–V: a side-step, its own key\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # extended ii–V: a side-step, its own key\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # extended dominant: V7 of G7\n7 | G7      # II7 in F, not resolving: natural tensions\n8 | G7\n\nsection: C\n1 | BbMaj7  # IV: the #4 is the key’s 7th\n2 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n3 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n",1793575890424]