[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-guess-ill-hang-my-tears-out-to-dry":3},"title: I Guess I'll Hang My Tears Out To Dry\ncomposer: Jule Styne\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Ebm7     # a borrowed minor chord: Dorian, its own key\n2  | Dm7      # ii of the ii–V to C\n2  | G7       # V7 of C: natural tensions\n3  | CMaj7    # tonic: the 4th is in the key\n3  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7      # ii of G7: Dorian\n4  | G7       # V7\u002FI in C: natural tensions\nalt 4  | Bm7b5    # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 4  | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n5  | Gm7      # ii of the ii–V to F\n5  | C7       # V7\u002FIV in C: natural tensions\n6  | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n6  | Bb7      # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7       # V7\u002Fii in C: the b13 is in the key\n7  | Dm7      # ii of the ii–V to C\n7  | G7       # V7 of C: natural tensions\n8  | C6       # tonic: the 4th is in the key\n8  | G7       # V7 of the C6 before it: natural tensions\n9  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | A7       # V7\u002Fii in C: the b13 is in the key\n9  | Dm7      # ii of the ii–V to C\n9  | G7       # V7 of C: natural tensions\n10 | C6       # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7      # ii of C7: Dorian\n1  | C7       # V7\u002FIV in C: natural tensions\n2  | Gm7      # ii of the ii–V to F\n2  | C7       # V7\u002FIV in C: natural tensions\n3  | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n3  | C7       # V7\u002FIV in C: natural tensions\n4  | F6       # the C7 before it makes F the key of the moment: the 4th is in the key\n5  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7       # extended ii–V: a side-step, its own key\n6  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7       # V7\u002Fii in C: the b13 is in the key\n7  | Dm7      # ii: Dorian, the key’s own notes\n7  | Ab7#11   # tritone substitute: resolves down a half step to G7\n8  | G7       # V7 in C, not resolving: natural tensions\n\nsection: A2\n1  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Ebm7     # a borrowed minor chord: Dorian, its own key\n2  | Dm7      # ii of the ii–V to C\n2  | G7       # V7 of C: natural tensions\n3  | CMaj7    # tonic: the 4th is in the key\n3  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7      # ii of G7: Dorian\n4  | G7       # V7\u002FI in C: natural tensions\nalt 4  | Bm7b5    # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 4  | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n5  | Gm7      # ii of the ii–V to F\n5  | C7       # V7\u002FIV in C: natural tensions\n6  | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n6  | Bb7      # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7       # V7\u002Fii in C: the b13 is in the key\n7  | Dm7      # ii of the ii–V to C\n7  | G7       # V7 of C: natural tensions\n8  | C6       # tonic: the 4th is in the key\n8  | G7       # V7 of the C6 before it: natural tensions\n@coda 6\n\nsection: Coda\n1  | CMaj7    # tonic: the 4th is in the key\n1  | CMaj7\u002FB  # from the symbol: sus b9\n1  | Am       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | Am\u002FG     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | B7       # V7\u002Fiii in C: b9 and b13 are in the key\n3  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Ebm7     # a borrowed minor chord: Dorian, its own key\n4  | Dm7      # ii of the ii–V to C\n4  | G7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | C6       # tonic: the 4th is in the key\n6  | C6\n@coda 1\n",1793575890398]