[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-got-the-sun-in-the-morning":3},"title: I Got The Sun In The Morning\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: F\nform: AABA, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n1  | F6       # tonic: the 4th is in the key\n2  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n2  | F6       # tonic: the 4th is in the key\n3  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n3  | F6       # tonic: the 4th is in the key\n4  | F6\n4  | F7       # V7\u002FIV in F: natural tensions\n5  | BbMaj7   # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | Eb9      # ♭VII7 from the parallel minor: Lydian Dominant\n6  | Gm7      # ii: Dorian, the key’s own notes\n6  | F6       # tonic: the 4th is in the key\n7  | BbMaj7   # IV: the #4 is the key’s 7th\n7  | Eb9      # ♭VII7 from the parallel minor: Lydian Dominant\n8  | Gm7      # ii: Dorian, the key’s own notes\n8  | F6       # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Em7      # ii of A7: Dorian\n2  | A7       # extended ii–V: a side-step, its own key\n3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7       # extended ii–V: a side-step, its own key\n5  | Dm7      # ii of G7: Dorian\n6  | G7       # V7\u002FV in F: natural tensions\n7  | Gm7      # ii of C7: Dorian\n8  | C7       # V7\u002FI in F: natural tensions\n\nsection: A3\n1  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n1  | F6       # tonic: the 4th is in the key\n2  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n2  | F6       # tonic: the 4th is in the key\n3  | C7b5\u002FGb  # V7 of F: the #11 from the symbol\n3  | F6       # tonic: the 4th is in the key\n4  | F6\n4  | F7       # V7\u002FIV in F: natural tensions\n5  | BbMaj7   # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | Eb9      # ♭VII7 from the parallel minor: Lydian Dominant\n6  | Gm7      # ii: Dorian, the key’s own notes\n6  | F6       # tonic: the 4th is in the key\n7  | BbMaj7   # IV: the #4 is the key’s 7th\n7  | Eb9      # ♭VII7 from the parallel minor: Lydian Dominant\n8  | Gm7      # ii: Dorian, the key’s own notes\n8  | F6       # tonic: the 4th is in the key\n9  | BbMaj7   # IV: the #4 is the key’s 7th\n9  | A7b9#5   # III7 in F, not resolving: b9 and b13 are in the key, the #11 from the symbol\n10 | Abdim7   # passing diminished: G7♭9 without its G, the C7b9's dominant (Gm7 its ii)\n10 | Gm7      # ii of the ii–V to F\n11 | Gm7\n11 | C7b9     # V7 of F: the b9 from the symbol\n12 | F6       # tonic: the 4th is in the key\n12 | Gm7      # ii of C7: Dorian\n12 | C7       # V7\u002FI in F: natural tensions\n",1793575890376]