[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-got-it-bad":3},"title: I Got It Bad\ncomposer: Duke Ellington\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | Gdim    # auxiliary diminished: it decorates the chord and returns to it\n1  | GMaj7   # tonic: the 4th is in the key\n2  | B7b13   # V7\u002Fvi in G: b9 and b13 are in the key\n2  | Em7     # ii of A7: Dorian\n3  | A7      # V7\u002FV in G: natural tensions\n3  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FV in G: natural tensions\n5  | Am7     # ii: Dorian, the key’s own notes\n6  | B7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | A7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | D7      # V7 of G: natural tensions\n7  | G6      # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n9  | G6      # tonic: the 4th is in the key\n9  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n10 | Dm7     # ii of the ii–V to C\n10 | G7      # V7\u002FIV in G: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | CMaj7\n3  | F7      # back door bVII7 to GMaj7: the #11 is in the key\n4  | F7\n5  | GMaj7   # tonic: the 4th is in the key\n6  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7      # V7\u002Fii in G: the b13 is in the key\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7 of G: natural tensions\n\nsection: A2\n1  | Gdim    # auxiliary diminished: it decorates the chord and returns to it\n1  | GMaj7   # tonic: the 4th is in the key\n2  | B7b13   # V7\u002Fvi in G: b9 and b13 are in the key\n2  | Em7     # ii of A7: Dorian\n3  | A7      # V7\u002FV in G: natural tensions\n3  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FV in G: natural tensions\n5  | Am7     # ii: Dorian, the key’s own notes\n6  | B7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | A7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | D7      # V7 of G: natural tensions\n7  | G6      # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii of D7: Dorian\n8  | D7      # V7 of G: natural tensions\n",1793575890365]