[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-feel-pretty":3},"title: I Feel Pretty\ncomposer: Bernstein, Sondheim\nstyle: Waltz\nkey: C\ntime: 3\u002F4\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1 – B 3)\n1  | F       # IV: the #4 is the key’s 7th\n2  | C+      # from the symbol: augmented\n3  | F       # IV: the #4 is the key’s 7th\n4  | C+      # from the symbol: augmented\n5  | F       # IV: the #4 is the key’s 7th\n5  | C+      # from the symbol: augmented\n6  | F\u002FA     # IV: the #4 is the key’s 7th\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | Dm      # ii: Dorian, the key’s own notes\n10 | Dm\u002FC    # ii: Dorian, the key’s own notes\n11 | Gm7     # a borrowed minor chord: Dorian, its own key\n12 | C       # tonic: the 4th is in the key\n12 | C7      # V7\u002FIV in C: natural tensions\n13 | F       # the C7 before it makes F the key of the moment: the 4th is in the key\n14 | F\n14 | Eb\u002FG    # ♭III, borrowed from C minor: Lydian (its ♯11 is in the key)\n14 | C\u002FE     # tonic: the 4th is in the key\n15 | F       # IV: the #4 is the key’s 7th\n15 | Eb\u002FG    # ♭III, borrowed from C minor: Lydian (its ♯11 is in the key)\n15 | F\u002FA     # IV: the #4 is the key’s 7th\n16 | C+      # from the symbol: augmented\n17 | F       # IV: the #4 is the key’s 7th\n18 | F\n18 | Eb\u002FG    # ♭III, borrowed from C minor: Lydian (its ♯11 is in the key)\n18 | C\u002FE     # tonic: the 4th is in the key\n19 | F       # IV: the #4 is the key’s 7th\n19 | Eb\u002FG    # ♭III, borrowed from C minor: Lydian (its ♯11 is in the key)\n19 | F\u002FA     # IV: the #4 is the key’s 7th\n20 | F\u002FA\n@coda 7\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Bb      # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | Bb\n2  | F7\u002FC    # V7 of the Bb before it: the #11 is in the key\n2  | F\u002FA     # IV: the #4 is the key’s 7th\n3  | Bb      # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n# area: Bb major (B 3–9)\n3  | F7      # V7 of Bb: natural tensions\n3  | Bb\u002FD    # tonic: the 4th is in the key\n4  | Bb\u002FD\n4  | F       # V without its 7th: Mixolydian, the key’s own notes\n5  | Bb      # tonic: the 4th is in the key\n6  | Bb\n6  | F7      # V7 of Bb: natural tensions\n6  | Bb\u002FD    # tonic: the 4th is in the key\n7  | F       # V without its 7th: Mixolydian, the key’s own notes\n8  | F\n9  | Am\u002FE    # a borrowed minor chord: Dorian, its own key\n# area: C major (B 10 – Coda 9)\n10 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Fm6\u002FAb  # a minor sixth chord: Dorian\n13 | C7\u002FG    # V7 of the Fm6\u002FAb before it: natural tensions\n14 | Gm7\u002FC   # static sus: Mixolydian\n14 | Gm7     # ii of C7: Dorian\n15 | C7      # V7\u002FIV in C: natural tensions\n15 | Bb\u002FD    # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n15 | C9\u002FE    # I7 in C, not resolving: natural tensions\n16 | C+      # from the symbol: augmented\n@nav 16 D.C. al Coda\n\nsection: Coda\n1  | C7      # I7 in C, not resolving: natural tensions\n1  | Gm7     # ii of C7: Dorian\n1  | C7      # V7\u002FIV in C: natural tensions\n2  | Dm      # ii: Dorian, the key’s own notes\n3  | Dm\u002FC    # ii: Dorian, the key’s own notes\n4  | Gm7     # ii of the ii–V to F\n5  | C7      # V7\u002FIV in C: natural tensions\n6  | F       # the C7 before it makes F the key of the moment: the 4th is in the key\n7  | F\n7  | Eb\u002FG    # ♭III, borrowed from C minor: Lydian (its ♯11 is in the key)\n7  | C\u002FE     # tonic: the 4th is in the key\n8  | F       # IV: the #4 is the key’s 7th\n9  | F\n@coda 1\n",1793575890278]