[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-didnt-know-what-time-it-was":3},"title: I Didn't Know What Time It Was\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: G\nform: AABA, 36 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 4)\n1  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n2  | Em7     # ii of A7: Dorian\n2  | A7      # V7\u002FV in G: natural tensions\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FV in G: natural tensions\n5  | Am7     # ii of D7: Dorian\n5  | D7      # V7\u002FI in G: natural tensions\n6  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em7\u002FD   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | CMaj7   # IV: the #4 is the key’s 7th\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Am7     # ii: Dorian, the key’s own notes\n8  | Gm7     # a borrowed minor chord: Dorian, its own key\nalt 8  | Am7     # ii of D7: Dorian\nalt 8  | D7      # V7\u002FI in G: natural tensions\n9  | Am7     # ii of the ii–V to G\n9  | D7      # V7 of G: natural tensions\n@ending 1 8\n@ending 2 9\n\nsection: B\n1  | GMaj7   # tonic: the 4th is in the key\n2  | F#m7b5  # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D minor (B 4 – A2 9)\n4  | Eb7     # tritone substitute: resolves down a half step to Dm7\n4  | Dm7     # tonic minor: Dorian by convention\n4  | Db7     # tritone substitute: resolves down a half step to CMaj7\nalt 4  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 4  | Eb7     # ♭VI7 from the parallel minor: Lydian Dominant\nalt 4  | A7      # II7 in G, not resolving: natural tensions\nalt 4  | Db7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | CMaj7   # ♭VII of D minor: C major, the notes of D Dorian\nalt 5  | Am7     # ii of the ii–V to G\nalt 5  | D7      # V7 of G: natural tensions\n6  | GMaj7   # a non-tonic major chord: Lydian\n7  | Em7     # ii of A7: Dorian\n7  | A7      # extended ii–V: a side-step, its own key\n8  | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n8  | Gm7     # iv: Dorian, the key’s own notes\nalt 8  | Am7     # ii of D7: Dorian\nalt 8  | D7      # V7\u002FI in G: natural tensions\n\nsection: A2\n1  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | B7b9    # V7\u002Fii in D minor: b9 and b13 are in the key\n2  | Em7     # ii of A7: Dorian\n2  | A7      # extended ii–V: a side-step, its own key\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9    # V7\u002Fii in D minor: b9 and b13 are in the key\n4  | Em7     # ii of A7: Dorian\n4  | A7      # extended ii–V: a side-step, its own key\n5  | Am7     # ii of D7: Dorian\n5  | D7      # extended ii–V: a side-step, its own key\n6  | Em7     # a borrowed minor chord: Dorian, its own key\n6  | Em7\u002FD   # a borrowed minor chord: Dorian, its own key\n7  | CMaj7   # ♭VII of D minor: C major, the notes of D Dorian\n7  | Bm7     # a borrowed minor chord: Dorian, its own key\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FbVI in D minor: natural tensions\n9  | Bm7     # ii of the ii–V to A minor\n9  | E7      # V7\u002Fv in D minor: b9 and b13 are in the key\n# area: G major (A2 10–12)\n10 | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n11 | G6      # tonic: the 4th is in the key\n12 | G6\n",1793575890242]