[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-cried-for-you":3},"title: I Cried For You\ncomposer: Freed, Arnheim, Lyman\nstyle: Ballad\nkey: F\nform: ABA, 40 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7      # extended dominant: V7 of Dm7\u002FG\n3  | Dm7\u002FG   # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | C7#5    # V7 of F: #11 and b13 from the symbol\n8  | F6      # tonic: the 4th is in the key\n9  | FMaj7   # tonic: the 4th is in the key\n10 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | D7      # V7\u002Fii in F: the b13 is in the key\n11 | Gm7     # ii of C7: Dorian\n12 | C7      # V7\u002FI in F: natural tensions\n13 | C7\n14 | C7\n15 | G#dim7  # passing diminished: G7♭9 without its G, the C7\u002FG's dominant\n16 | C7\u002FG    # V7 in F, not resolving: natural tensions\n16 | Gb7b5   # tritone substitute: resolves down a half step to FMaj7\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7      # extended dominant: V7 of Dm7\u002FG\n3  | Dm7\u002FG   # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n6  | Bb7     # tritone substitute: resolves down a half step to A7\n7  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | A7\n9  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n10 | D7\n11 | D7\n12 | D7\n13 | G7      # V7 of V7: the dominant of the dominant: natural tensions\n14 | G7\n15 | G7\n16 | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7      # extended dominant: V7 of Dm7\u002FG\n3  | Dm7\u002FG   # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n",1793575890226]