[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-cover-the-waterfront":3},"title: I Cover The Waterfront\ncomposer: Johnny Green\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 4)\n1 | Em7     # ii of A7: Dorian\n1 | A7      # V7\u002FV in G: natural tensions\n2 | Am7     # ii of the ii–V to G\n2 | D7      # V7 of G: natural tensions\n3 | GMaj7   # tonic: the 4th is in the key\n3 | CMaj7   # IV: the #4 is the key’s 7th\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Bbdim7  # passing diminished: A7♭9 without its A, the D7sus's dominant (Am7 its ii)\n5 | Am7     # ii of D7sus: Dorian\n6 | D7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Am7     # ii of D7: Dorian\n1 | D7      # V7\u002FI in G: natural tensions\n2 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | E7      # V7\u002Fii in G: the b13 is in the key\n3 | Am7     # ii of the ii–V to G\n3 | D7      # V7 of G: natural tensions\n4 | GMaj7   # tonic: the 4th is in the key\n# area: A major (B 5–7)\n5 | Bm7     # ii of the ii–V to A\n5 | E7      # V7 of A: natural tensions\n6 | AMaj7   # tonic: the 4th is in the key\n6 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Bm7     # ii of the ii–V to A minor\n7 | E7      # V7 of A: natural tensions\n# area: G major (B 8 – A3 8)\n8 | Am7     # ii of D7: Dorian\n8 | D7      # V7\u002FI in G: natural tensions\n\nsection: A3\n1 | Em7     # ii of A7: Dorian\n1 | A7      # V7\u002FV in G: natural tensions\n2 | Am7     # ii of the ii–V to G\n2 | D7      # V7 of G: natural tensions\n3 | GMaj7   # tonic: the 4th is in the key\n3 | CMaj7   # IV: the #4 is the key’s 7th\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Bbdim7  # passing diminished: A7♭9 without its A, the D7sus's dominant (Am7 its ii)\n5 | Am7     # ii of D7sus: Dorian\n6 | D7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n",1793575890209]