[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-could-write-a-book":3},"title: I Could Write A Book\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n5 | Dm7     # ii: Dorian, the key’s own notes\n6 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7#9    # V7\u002Fii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Dm7     # ii: Dorian, the key’s own notes\n8 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n\nsection: B\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Ab7     # tritone substitute: resolves down a half step to G7\n2 | G7      # V7 in C, not resolving: natural tensions\n3 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n4 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7      # extended ii–V: a side-step, its own key\n5 | Am7     # ii of D7: Dorian\n6 | D7      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n5 | Dm7     # ii: Dorian, the key’s own notes\n6 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7#9    # V7\u002Fii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Dm7     # ii: Dorian, the key’s own notes\n8 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n\nsection: C\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Ab7     # ♭VI7 from the parallel minor: Lydian Dominant\n3 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | C7b9    # V7\u002FIV in C: the b9 from the symbol\n4 | FMaj7   # the C7b9 before it makes F the key of the moment: the 4th is in the key\n4 | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | A7      # V7\u002Fii in C: the b13 is in the key\n6 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793575890195]