[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-believe-in-you":3},"title: I Believe In You\ncomposer: Frank Loesser\nstyle: Medium Up Swing\nkey: G\nform: AAB, 64 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n# area: G major (A 1–13)\n1  | Am7     # ii: Dorian, the key’s own notes\n2  | AmMaj7  # from the symbol: minor-major 7th\n3  | Am7     # ii: Dorian, the key’s own notes\n4  | Am6     # a minor sixth chord: Dorian\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7#11   # tritone substitute: resolves down a half step to Bm7\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # V7\u002Fii in G: the b13 is in the key\n9  | Am7     # ii: Dorian, the key’s own notes\n10 | AmMaj7  # from the symbol: minor-major 7th\n11 | Am7     # ii: Dorian, the key’s own notes\n12 | Am6     # a minor sixth chord: Dorian\n13 | BMaj7   # a non-tonic major chord: Lydian\n# area: B major (A 14–16)\n14 | C#m7    # ii of the ii–V to B\n14 | F#7     # V7 of B: natural tensions\nalt 14 | C7#11   # IV7 in G, not resolving: the #11 is in the key\nalt 14 | F#7     # V7 of B: natural tensions\n15 | BMaj7   # tonic: the 4th is in the key\n16 | E7      # V7\u002Fbvii in B: the #11 is in the key\n# area: G major (A 17–25)\n17 | Am7     # ii of D7: Dorian\n18 | D7      # V7\u002FI in G: natural tensions\n19 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | E7      # V7\u002Fii in G: the b13 is in the key\n21 | Am7     # ii of the ii–V to G\n22 | D7      # V7 of G: natural tensions\n23 | G6      # tonic: the 4th is in the key\n24 | E7      # VI7 in G, not resolving: the b13 is in the key\n25 | G6      # tonic: the 4th is in the key\n# area: Ab major (A 26 – B 7)\n26 | Bbm7    # ii of the ii–V to Ab\n26 | Eb7     # V7 of Ab: natural tensions\n@nav 24 Fine\n@ending 1 23 24\n@ending 2 25 26\n\nsection: B\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | F7      # V7\u002Fii in Ab: the b13 is in the key\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | AbMaj7  # tonic: the 4th is in the key\n# area: Bb major (B 8–14)\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n9  | BbMaj7  # tonic: the 4th is in the key\n10 | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7 of Bb: natural tensions\n11 | BbMaj7  # tonic: the 4th is in the key\n12 | BbMaj7\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # V7\u002FV in Bb: natural tensions\n# area: G major (B 15–16)\n15 | Am7     # ii of D7: Dorian\n15 | D7      # V7\u002FI in G: natural tensions\n16 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | E7      # V7\u002Fii in G: the b13 is in the key\n@nav 16 D.C. al Fine\n",1793575890071]