[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hurry":3},"title: Hurry\ncomposer: Hugo Fattoruso\nstyle: Brazilian\nkey: Em\nform: AB, 50 bars\n# no recording: no confident first recording: Fattoruso's own studio take not found; earliest found is Aca Seca Trío (Avenido, 2006)\n# analysis: 2026-10-28, rules v2; E minor\n\nsection: A\n# area: E minor (A 1–5)\n1  | Em      # tonic minor: Dorian by convention\n2  | Am7     # iv: Dorian, the key’s own notes\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7      # V7 of E minor: b9 and b13 are in the key\n4  | Em7     # tonic minor: Dorian by convention\n5  | Em7\n# area: G major (A 6–15)\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n7  | CMaj7   # IV: the #4 is the key’s 7th\n8  | E\u002FF#    # a non-tonic major chord: Lydian\n8  | Eb\u002FF    # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n9  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Am7     # ii: Dorian, the key’s own notes\n11 | F#m7b5  # iiø7 of B7: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n12 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7      # V7\u002Fii in G: the b13 is in the key\n13 | Am7     # ii of the ii–V to G\n13 | D7      # V7 of G: natural tensions\n14 | GMaj7   # tonic: the 4th is in the key\n14 | CMaj7   # IV: the #4 is the key’s 7th\n15 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# area: E minor (A 16 – B 12)\n16 | F#m11   # ii of the ii–V to E minor\n16 | B7      # V7 of E minor: b9 and b13 are in the key\n17 | Em7     # tonic minor: Dorian by convention\n18 | Em7\n19 | Em7\n20 | Em7\n\nsection: B\n1  | Em7\n2  | Am7     # iv: Dorian, the key’s own notes\n3  | F#m11   # ii of B7: Dorian\n3  | B7      # extended ii–V: a side-step, its own key\n4  | D\u002FE     # ♭VII of E minor: D major, the notes of E Dorian\n4  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n5  | Am7     # iv: Dorian, the key’s own notes\n6  | C\u002FD     # a non-tonic major chord: Lydian\n7  | Am7     # iv: Dorian, the key’s own notes\n7  | C\u002FG     # a non-tonic major chord: Lydian\n8  | E\u002FF#    # a non-tonic major chord: Lydian\n8  | Eb\u002FF    # a non-tonic major chord: Lydian\n9  | Em7     # tonic minor: Dorian by convention\n10 | Am7     # iv: Dorian, the key’s own notes\n11 | F#m11   # ii of B7: Dorian\n11 | B7      # extended ii–V: a side-step, its own key\n12 | D\u002FE     # ♭VII of E minor: D major, the notes of E Dorian\n12 | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n# area: G major (B 13–19)\n13 | Am7     # ii of the ii–V to G\n13 | D7      # V7 of G: natural tensions\n14 | GMaj7   # tonic: the 4th is in the key\n14 | CMaj7   # IV: the #4 is the key’s 7th\n15 | F#m11   # ii of B7: Dorian\n15 | B7      # extended ii–V: a side-step, its own key\n16 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | Bb7     # tritone substitute: resolves down a half step to Am7\n17 | Am7     # ii of D7: Dorian\n17 | D7      # V7\u002FI in G: natural tensions\n18 | Abm     # a borrowed minor chord: Dorian, its own key\n18 | G7      # I7 in G, not resolving: natural tensions\n19 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# area: E minor (B 20–30)\n20 | F#m11   # ii of the ii–V to E minor\n20 | B7      # V7 of E minor: b9 and b13 are in the key\n21 | Em7     # tonic minor: Dorian by convention\n22 | Em7\n23 | Em7\n24 | Em7\n25 | Dm7     # a borrowed minor chord: Dorian, its own key\n26 | Dm7\n27 | A\u002FB     # a non-tonic major chord: Lydian\n28 | G\u002FA     # bIII of E minor: the relative major itself\n28 | F\u002FG     # a non-tonic major chord: Lydian\n29 | Em7     # tonic minor: Dorian by convention\n30 | B7      # V7 of E minor: b9 and b13 are in the key\n@segno 1\n@nav 29 Fine\n@nav 30 D.S. al Fine\n",1793484800078]