[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:how-my-heart-sings":3},"title: How My Heart Sings\ncomposer: Earl Zindars\nstyle: Waltz\nkey: C\ntime: 3\u002F4\nform: A, 24 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Dm7      # ii of the ii–V to C\n4  | G7       # V7 of C: natural tensions\n5  | CMaj7    # tonic: the 4th is in the key\n6  | FMaj7    # IV: the #4 is the key’s 7th\n7  | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7b9     # V7\u002Fvi in C: b9 and b13 are in the key\n9  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Abdim7   # vii°7 of Am7\u002FG: E7♭9 without its root\n11 | Am7\u002FG    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | F#m7b5   # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n13 | EMaj7    # a non-tonic major chord: Lydian\n14 | G#m7     # ii of the ii–V to F# minor\n14 | C#7      # V7\u002F#iv in C: b9, #11 and b13 are in the key\n15 | F#m7     # ii of B7: Dorian\n16 | B7       # extended ii–V: a side-step, its own key\n17 | DMaj7\u002FE  # a non-tonic major chord: Lydian\n18 | AMaj7\u002FE  # a non-tonic major chord: Lydian\n19 | DMaj7\u002FE  # a non-tonic major chord: Lydian\n20 | AMaj7\u002FE  # a non-tonic major chord: Lydian\n21 | CMaj7\u002FD  # tonic: the 4th is in the key\n22 | GMaj7\u002FD  # a non-tonic major chord: Lydian\n23 | CMaj7\u002FD  # tonic: the 4th is in the key\n23 | CMaj7    # tonic: the 4th is in the key\n24 | B7       # V7\u002Fiii in C: b9 and b13 are in the key\n@coda 8\n@time 17 4\u002F4\n@nav 23 D.C. al Coda\n\nsection: Coda\ntime: 4\u002F4\n1  | B7       # VII7 in C, not resolving: b9 and b13 are in the key\n2  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Abdim7   # vii°7 of Am7\u002FG: E7♭9 without its root\n4  | Am7\u002FG    # ii of D7\u002FF#: Dorian\n5  | D7\u002FF#    # V7\u002FV in C: natural tensions\n6  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Ab7      # tritone substitute: resolves down a half step to G7\n9  | G7       # V7 of C: natural tensions\n10 | C6       # tonic: the 4th is in the key\n11 | Gm7      # a borrowed minor chord: Dorian, its own key\n12 | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | B7b9     # V7\u002Fiii in C: b9 and b13 are in the key\n@coda 1\n@time 2 3\u002F4\n",1793575889973]