[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:how-insensitive":3},"title: How Insensitive\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Dm\nform: AB, 32 bars\naka: Insensatez\nrecording: Antonio Carlos Jobim; The Composer of Desafinado, Plays; Verve; 1963\nyoutube: _Q1kEjcc5Us\n# analysis: 2026-10-28, rules v2; D minor\n# recording: recorded May 1963, Claus Ogerman arr., prod. Creed Taylor; the composer's own first recording (rule 1); first recorded by João Gilberto (João Gilberto, Odeon MOFB 3202, 1961); sources: MusicBrainz, jobim.org; video: Universal Music Group \"Provided to YouTube\" upload, on the compilation Verve Jazz Masters 13: Antonio Carlos Jobim, ℗ 1964, 2:58, the same take\n\nsection: A\n# area: D minor (A 1–15)\n1  | Dm         # tonic minor: Dorian by convention\n2  | Dm\n3  | C#dim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4  | C#dim7\n5  | Cm6        # a minor sixth chord: Dorian\n6  | Cm6\n7  | G7\u002FB       # V7 of the Cm6 before it: natural tensions\n8  | G7\u002FB\n9  | BbMaj7     # a non-tonic major chord: Lydian\n10 | BbMaj7\n11 | EbMaj7#11  # from the symbol: #11\n12 | EbMaj7#11\n13 | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7b9       # V7 of D minor: b9 and b13 are in the key\n15 | Dm         # tonic minor: Dorian by convention\n# area: C minor (A 16 – B 5)\n16 | Db7        # tritone substitute: resolves down a half step to Cm6\n\nsection: B\n1  | Cm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Cm6\n3  | Bdim7      # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4  | Bdim7\n5  | BbMaj7     # ♭VII of C minor: B♭ major, the notes of C Dorian\n# area: D minor (B 6–16)\n6  | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9       # V7 of D minor: b9 and b13 are in the key\n7  | Dm         # tonic minor: Dorian by convention\n8  | Db7        # tritone substitute: resolves down a half step to Cm7\n9  | Cm7        # ii of F7: Dorian\n10 | F7         # V7\u002FbVI in D minor: natural tensions\n11 | Bm7        # ii of E7b9: Dorian\n12 | E7b9       # extended ii–V: a side-step, its own key; b9 from the symbol\n13 | BbMaj7     # a non-tonic major chord: Lydian\n14 | A7b9       # V7 of D minor: b9 and b13 are in the key\n15 | Dm         # tonic minor: Dorian by convention\n16 | Dm\n",1793484800063]