[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:how-deep-is-the-ocean":3},"title: How Deep Is The Ocean\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Gb7     # tritone substitute: resolves down a half step to Fm7\n8 | Fm7     # ii of Bb7: Dorian\n8 | Bb7     # extended dominant: V7 of Eb7\n\nsection: B\n1 | Eb7     # extended dominant: V7 of Ab7\n2 | Eb7\n3 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n4 | Ab7\n5 | B7      # tritone substitute: resolves down a half step to Bb7\n6 | B7\n7 | Bb7     # V7 in Eb, not resolving: natural tensions\n8 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: A2\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Gb7     # tritone substitute: resolves down a half step to Fm7\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n3 | Fm7     # ii: Dorian, the key’s own notes\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n6 | Cm7     # ii of F7: Dorian\n6 | F7      # V7\u002FV in Eb: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n8 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n",1793575889922]