[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:how-are-things-in-glocca-morra":3},"title: How Are Things In Glocca Morra\ncomposer: Burton Lane\nstyle: Ballad\nkey: F\nform: AAB, 30 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FI in F: natural tensions\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n10 | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7\u002FIV in F: natural tensions\n\nsection: B\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n1  | Gm7     # ii of the ii–V to F\n1  | C7      # V7 of F: natural tensions\n2  | FMaj7   # tonic: the 4th is in the key\n2  | F7\u002FA    # V7\u002FIV in F: natural tensions\n3  | BbMaj7  # the F7\u002FA before it makes Bb the key of the moment: the 4th is in the key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n4  | F7\u002FA    # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7\u002FA before it makes Bb the key of the moment: the 4th is in the key\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n7  | Eb7#11  # tritone substitute: resolves down a half step to D7b9\n8  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n9  | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n",1793575889910]