[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:how-about-you":3},"title: How About You\ncomposer: Burton Lane\nstyle: Medium Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1–11)\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Bb7     # tritone substitute: resolves down a half step to Am7\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n5  | Bb7     # tritone substitute: resolves down a half step to Am7\n6  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Abdim7  # passing diminished: E7♭9 without its E, the Am7b5's dominant\n7  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7b13   # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | Bbm6    # a minor sixth chord: Dorian\n10 | Eb7     # extended ii–V: a side-step, its own key\nalt 10 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 10 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 11 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 11 | Dm7\n# area: A major (A 12–15)\n12 | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7b9    # V7 of A: the b9 from the symbol\n13 | AMaj7   # tonic: the 4th is in the key\n13 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Bm7     # ii of the ii–V to A\n14 | E7      # V7 of A: natural tensions\n15 | AMaj7   # tonic: the 4th is in the key\n# area: F major (A 16 – B 16)\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Bb7     # tritone substitute: resolves down a half step to Am7\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7\u002FIV in F: natural tensions\n7  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n9  | FMaj7   # tonic: the 4th is in the key\n10 | A7      # III7 in F, not resolving: b9 and b13 are in the key\nalt 10 | Abm7    # ii of Db7: Dorian\nalt 10 | Db7     # extended ii–V: a side-step, its own key\n11 | Bb7     # IV7 in F, not resolving: the #11 is in the key\nalt 11 | Gm7     # ii: Dorian, the key’s own notes\nalt 11 | Gm7\u002FF   # ii: Dorian, the key’s own notes\n12 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n13 | Dm7     # ii of G7: Dorian\n13 | G7      # V7\u002FV in F: natural tensions\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575889895]