[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:horace-scope":3},"title: Horace-Scope\ncomposer: Horace Silver\nstyle: Medium Up Swing\nkey: Db\nform: AA, 50 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A\n1  | DbMaj7   # tonic: the 4th is in the key\n2  | Em7      # ii of A7: Dorian\n2  | A7       # extended ii–V: a side-step, its own key\n3  | Ebm7     # ii: Dorian, the key’s own notes\n4  | Abm7     # ii of Db7: Dorian\n4  | Db7      # V7\u002FIV in Db: natural tensions\n5  | Dbm7     # a borrowed minor chord: Dorian, its own key\n6  | Ab7#5    # tritone substitute: resolves down a half step to G13; b13 from the symbol\n7  | G13      # tritone substitute: resolves down a half step to Gb13\n8  | Gb13     # tritone substitute: resolves down a half step to Fm7\n9  | Fm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bbm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Ebm7     # ii of Ab7#5: Dorian\n12 | Ab7#5    # extended dominant: V7 of Db7#9; #11 and b13 from the symbol\n13 | Db7#9    # I7 in Db, not resolving: b9, #9 and #11 from the symbol\n14 | Bb7#9b5  # tritone substitute: resolves down a half step to A7; b9 and #9 from the symbol\n15 | A7       # tritone substitute: resolves down a half step to Ab7#9#5\n16 | Ab7#9#5  # V7 in Db, not resolving: b9, #9, #11 and b13 from the symbol\n17 | Gbm7\u002FAb  # iv7 from the parallel minor: Dorian, its notes\n17 | Db7#9    # V7 of the Gbm7\u002FAb before it: b9, #9 and #11 from the symbol\n18 | N.C.\n19 | N.C.\n20 | DbMaj7   # tonic: the 4th is in the key\n21 | Em7      # ii of A7: Dorian\n21 | A7       # extended ii–V: a side-step, its own key\n22 | Ebm7     # ii: Dorian, the key’s own notes\n23 | Abm7     # ii of Db7: Dorian\n23 | Db7      # V7\u002FIV in Db: natural tensions\n24 | Dbm7     # a borrowed minor chord: Dorian, its own key\n25 | Ab7#5    # tritone substitute: resolves down a half step to G13; b13 from the symbol\n26 | G13      # tritone substitute: resolves down a half step to Gb13\n27 | Gb13     # tritone substitute: resolves down a half step to Fm7\n28 | Fm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n29 | Bbm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n30 | Ebm7     # ii of Ab7#5: Dorian\n31 | Ab7#5    # extended dominant: V7 of Db7#9; #11 and b13 from the symbol\n32 | Db7#9    # I7 in Db, not resolving: b9, #9 and #11 from the symbol\n33 | Bb7#9b5  # tritone substitute: resolves down a half step to A7; b9 and #9 from the symbol\n34 | A7       # tritone substitute: resolves down a half step to Ab7#9#5\n35 | Ab7#9#5  # V7 of Db: b9, #9, #11 and b13 from the symbol\n@coda 15\n@ending 1 16\n@ending 2 17 35\n\nsection: Coda\n1  | Gbm7     # iv7 from the parallel minor: Dorian, its notes\n2  | Bb7#9b5  # tritone substitute: resolves down a half step to A7; b9 and #9 from the symbol\n2  | A7       # ♭VI7 from the parallel minor: Lydian Dominant\n3  | Gbm7\u002FAb  # iv7 from the parallel minor: Dorian, its notes\n4  | Db7#9    # V7 of the Gbm7\u002FAb before it: b9, #9 and #11 from the symbol\n@coda 1\n",1793575889840]