[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:home-cookin":3},"title: Home Cookin'\ncomposer: Horace Silver\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–10)\n1  | F6    # tonic: the 4th is in the key\n1  | Gm7   # ii: Dorian, the key’s own notes\n2  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Dm7   # ii of G7: Dorian\n3  | G7    # V7\u002FV in F: natural tensions\n3  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bbm7  # ii of Eb7: Dorian\n4  | Eb7   # extended ii–V: a side-step, its own key\n5  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7    # V7\u002Fii in F: the b13 is in the key\n6  | Gm7   # ii of C7: Dorian\n6  | C7    # V7\u002FI in F: natural tensions\n7  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7    # V7\u002Fii in F: the b13 is in the key\n8  | Gm7   # ii of C7: Dorian\n8  | C7    # V7\u002FI in F: natural tensions\n9  | Gm7   # ii of the ii–V to F\n9  | C7    # V7 of F: natural tensions\n10 | F6    # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: Ab major (B 1–4)\n1  | Bbm7  # ii of the ii–V to Ab\n1  | Eb7   # V7 of Ab: natural tensions\n2  | Ab6   # tonic: the 4th is in the key\n3  | Bbm7  # ii of the ii–V to Ab\n3  | Eb7   # V7 of Ab: natural tensions\n4  | Ab6   # tonic: the 4th is in the key\n# area: C major (B 5–8)\n5  | Dm7   # ii of the ii–V to C\n5  | G7    # V7 of C: natural tensions\n6  | C6    # tonic: the 4th is in the key\n7  | Dm7   # ii of the ii–V to C\n7  | G7    # V7 of C: natural tensions\nalt 7  | D7    # V7 of V7: the dominant of the dominant: natural tensions\nalt 7  | G7    # V7 in C, not resolving: natural tensions\n8  | C6    # tonic: the 4th is in the key\nalt 8  | Gm7   # ii of the ii–V to F\nalt 8  | C7    # V7 of F: natural tensions\n\nsection: A2\n# area: F major (A2 1–8)\n1  | F6    # tonic: the 4th is in the key\n1  | Gm7   # ii: Dorian, the key’s own notes\n2  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Dm7   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7   # ii: Dorian, the key’s own notes\n3  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bbm7  # ii of Eb7: Dorian\n4  | Eb7   # extended ii–V: a side-step, its own key\n5  | Am7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7    # V7\u002Fii in F: the b13 is in the key\n6  | Gm7   # ii of C7: Dorian\n6  | C7    # V7\u002FI in F: natural tensions\n7  | Gm7   # ii of the ii–V to F\n7  | C7    # V7 of F: natural tensions\n8  | F6    # tonic: the 4th is in the key\n",1793575889781]