[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hocus-pocus":3},"title: Hocus-Pocus\ncomposer: Lee Morgan\nstyle: Medium Up Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–7)\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Ab7     # tritone substitute: resolves down a half step to Gm7\n6  | Gm7     # ii: Dorian, the key’s own notes\n6  | Gb7     # tritone substitute: resolves down a half step to FMaj7\n7  | FMaj7   # tonic: the 4th is in the key\n# area: Db major (A1 7–8)\n7  | Ab7     # V7 of Db: natural tensions\n8  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A1 8 – A2 7)\n8  | Gb7     # tritone substitute: resolves down a half step to FMaj7\n9  | FMaj7   # tonic: the 4th is in the key\n10 | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | BbMaj7  # the B7#11 before it makes Bb the key of the moment: the 4th is in the key\n1  | Gm7     # ii: Dorian, the key’s own notes\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n7  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Ab7     # tritone substitute: resolves down a half step to Gm7\n6  | Gm7     # ii: Dorian, the key’s own notes\n6  | Gb7     # tritone substitute: resolves down a half step to FMaj7\n7  | FMaj7   # tonic: the 4th is in the key\n# area: Db major (A2 7–8)\n7  | Ab7     # V7 of Db: natural tensions\n8  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A2 8)\n8  | Gb7     # tritone substitute: resolves down a half step to FMaj7\n",1793575889736]