[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ho-ba-la-la":3},"title: Ho-Ba-La-La\ncomposer: Joao Gilberto\nstyle: Bossa Nova\nkey: Am\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A1\n# area: A minor (A1 1–4)\n1  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FbVII in A minor: natural tensions\n2  | Ebdim   # vii°7 of Em7: B7♭9 without its root\n3  | Em7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4  | C#dim   # passing diminished: A7♭9 without its A, the D7's dominant; not functioning diatonically: the symmetric scale\n# area: G major (A1 5–10)\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | G       # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii: Dorian, the key’s own notes\n8  | E7b9    # V7 of the Am7 before it: the b13 is in the key, the b9 from the symbol\n9  | G       # tonic: the 4th is in the key\n10 | Db7b5   # tritone substitute: resolves down a half step to Cm7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: Bb major (B 1–6)\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n3  | Bb      # tonic: the 4th is in the key\n4  | Bb6     # tonic: the 4th is in the key\n4  | Bbdim   # passing diminished: C7♭9 without its C, the F7's dominant; not functioning diatonically: the symmetric scale\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FI in Bb: natural tensions\n# area: A minor (B 7 – A2 4)\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7\u002FbVII in A minor: natural tensions\n\nsection: A2\n1  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FbVII in A minor: natural tensions\n2  | Ebdim   # vii°7 of Em7: B7♭9 without its root\n3  | Em7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4  | C#dim   # passing diminished: A7♭9 without its A, the D7's dominant; not functioning diatonically: the symmetric scale\n# area: G major (A2 5–8)\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | G       # tonic: the 4th is in the key\n7  | Cm      # iv from the parallel minor: Dorian, its notes\n8  | G       # tonic: the 4th is in the key\n",1793575889726]