[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:high-fly":3},"title: High Fly\nsubtitle: Medium (solo changes)\ncomposer: Randy Weston\nstyle: Medium\nkey: Bb\nform: AABC\nrecording: Randy Weston Trio; New Faces at Newport; Metrojazz; 1958\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded live 1958-07-05, Newport Jazz Festival, Randy Weston with George Joyner and G.T. Hogan, as \"Hi-Fly\", Metrojazz E1005 (shared with the Lem Winchester Quartet); Weston's own first recording, over Live at the Five Spot (United Artists, 1960, recorded 1959-10-26); sources: jazzdisco; no video: no official upload of the Newport take\n\n# bar | chord | scale\n\nsection: A1\n1 | Dm     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | G7     # V7\u002Fii in Bb: the b13 is in the key\n3 | Cm7    # ii of F7: Dorian\n3 | F7     # tritone substitute: resolves down a half step to Em7\n4 | Em7    # ii of the ii–V to D minor\n4 | A7     # V7\u002Fiii in Bb: b9 and b13 are in the key\n4 | Dm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7     # extended ii–V: a side-step, its own key\n5 | Dbm7   # ii of Gb7: Dorian\n5 | Gb7    # extended ii–V: a side-step, its own key\n6 | Cm7    # ii of F7: Dorian\n6 | F7     # extended dominant: V7 of Bb7\n7 | Bb7    # I7 in Bb, not resolving: natural tensions\n8 | B7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n\nsection: A2\n1 | Dm     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | G7     # V7\u002Fii in Bb: the b13 is in the key\n3 | Cm7    # ii of F7: Dorian\n3 | F7     # tritone substitute: resolves down a half step to Em7\n4 | Em7    # ii of the ii–V to D minor\n4 | A7     # V7\u002Fiii in Bb: b9 and b13 are in the key\n4 | Dm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7     # extended ii–V: a side-step, its own key\n5 | Dbm7   # ii of Gb7: Dorian\n5 | Gb7    # extended ii–V: a side-step, its own key\n6 | Cm7    # ii of F7: Dorian\n6 | F7     # V7\u002FI in Bb: natural tensions\n7 | Dm7b5  # iiø7 of G7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7#9   # V7\u002Fii in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: B\n1 | Cm7b5  # iiø7 of F7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | F7b9   # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n3 | Dm     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7b9   # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5 | Cm7b5  # iiø7 of F7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | F7b9   # tritone substitute: resolves down a half step to Em; b9 from the symbol\n7 | Em     # ii of A7: Dorian\n7 | A7     # extended ii–V: a side-step, its own key\n8 | Ebm    # ii of Ab7: Dorian\n8 | Ab7    # extended ii–V: a side-step, its own key\n\nsection: C\n1 | Dm     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | G7     # V7\u002Fii in Bb: the b13 is in the key\n3 | Cm7    # ii of F7: Dorian\n3 | F7     # tritone substitute: resolves down a half step to Em7\n4 | Em7    # ii of the ii–V to D minor\n4 | A7     # V7\u002Fiii in Bb: b9 and b13 are in the key\n4 | Dm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7     # extended ii–V: a side-step, its own key\n5 | Dbm7   # ii of Gb7: Dorian\n5 | Gb7    # extended ii–V: a side-step, its own key\n6 | Cm7    # ii of the ii–V to Bb\n6 | F7     # V7 of Bb: natural tensions\n7 | Bb6\u002F9  # tonic: the 4th is in the key\n8 | B7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n",1793484800041]