[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hideaway":3},"title: Hideaway\ncomposer: David Sanborn\nstyle: Medium Swing\nkey: Ab\nform: A, 41 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n1  | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n1  | Ab7     # I7 in Ab, not resolving: natural tensions\n2  | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Ab7     # I7 in Ab, not resolving: natural tensions\n3  | Gb7sus  # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n3  | Gb7     # ♭VII7 from the parallel minor: Lydian Dominant\n4  | Gb7sus  # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | Gb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5  | Ab7     # I7 in Ab, not resolving: natural tensions\n6  | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | Ab7     # I7 in Ab, not resolving: natural tensions\n7  | Gb7sus  # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | Gb7     # ♭VII7 from the parallel minor: Lydian Dominant\n8  | G7      # VII7 in Ab, not resolving: b9 and b13 are in the key\n9  | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Ab7     # I7 in Ab, not resolving: natural tensions\n10 | B7      # ♭III7 from the parallel minor: Lydian Dominant\n11 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n12 | E7      # tritone substitute: resolves down a half step to Eb7\n12 | Eb7     # extended dominant: V7 of Ab7sus\n13 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | Ab7     # I7 in Ab, not resolving: natural tensions\n14 | B7      # ♭III7 from the parallel minor: Lydian Dominant\n15 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n16 | Eb7     # tritone substitute: resolves down a half step to D7\n16 | D7      # tritone substitute: resolves down a half step to Db7\n17 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n18 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n19 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n19 | Ab7     # extended dominant: V7 of Db7\u002FG\n20 | Db7\u002FG   # IV7 in Ab, not resolving: the #11 is in the key\n20 | Ab7\u002FD   # extended dominant: V7 of Db7\n21 | Db7     # tritone substitute: resolves down a half step to C7\n21 | C7      # tritone substitute: resolves down a half step to B7\n22 | B7      # tritone substitute: resolves down a half step to Bb7\n22 | Bb7     # II7 in Ab, not resolving: natural tensions\n23 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n23 | F#7     # ♭VII7 from the parallel minor: Lydian Dominant\n23 | Db7\u002FG   # IV7 in Ab, not resolving: the #11 is in the key\n24 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n25 | Ab7     # extended dominant: V7 of Db7\n26 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n27 | E7      # tritone substitute: resolves down a half step to Eb7\n27 | Eb7     # extended dominant: V7 of Ab7sus\n28 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n29 | Ab7     # extended dominant: V7 of Db7\n30 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n31 | Eb7     # tritone substitute: resolves down a half step to D7\n31 | D7      # tritone substitute: resolves down a half step to Db7\n32 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n33 | Db7\n33 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n34 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n35 | Ab7     # extended dominant: V7 of Db7\u002FG\n35 | Db7\u002FG   # IV7 in Ab, not resolving: the #11 is in the key\n35 | Ab7\u002FD   # extended dominant: V7 of Db7\n36 | Db7     # tritone substitute: resolves down a half step to C7\n36 | C7      # tritone substitute: resolves down a half step to B7\n37 | B7      # tritone substitute: resolves down a half step to Bb7\n37 | Bb7     # II7 in Ab, not resolving: natural tensions\n38 | E9      # ♭VI7 from the parallel minor: Lydian Dominant\n39 | E6      # ♭VI6, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n40 | E9      # ♭VI7 from the parallel minor: Lydian Dominant\n41 | E9\n",1793575889685]