[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hi-fly":3},"title: Hi-Fly\ncomposer: Randy Weston\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | F7     # tritone substitute: resolves down a half step to Em7\n4  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7    # ii of the ii–V to C minor\n4  | G7     # V7 of C: natural tensions\n5  | Cm7    # ii of F7: Dorian\nalt 5  | Dbm7   # ii of Gb7: Dorian\nalt 5  | Gb7    # extended ii–V: a side-step, its own key\n6  | F7     # extended dominant: V7 of Bb7\nalt 6  | Cm7    # ii of F7: Dorian\nalt 6  | F7     # extended dominant: V7 of Bb7\n7  | Bb7    # ♭VII7 from the parallel minor: Lydian Dominant\n8  | B7     # VII7 in C, not resolving: b9 and b13 are in the key\n9  | Dm7b5  # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7b9   # V7 of C: the b9 from the symbol\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Cm7b5  # iiø7 of F7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | F7b9   # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n3  | Dm7    # ii of G7b9: Dorian\n4  | G7b9   # V7 of C: the b9 from the symbol\n5  | Cm7b5  # iiø7 of F7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F7b9   # tritone substitute: resolves down a half step to Em7; b9 from the symbol\n7  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7     # extended ii–V: a side-step, its own key\n8  | Ebm7   # ii of Ab7: Dorian\n8  | Ab7    # extended ii–V: a side-step, its own key\n\nsection: A2\n1  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | F7     # tritone substitute: resolves down a half step to Em7\n4  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7    # ii of the ii–V to C minor\n4  | G7     # V7 of C: natural tensions\n5  | Cm7    # ii of F7: Dorian\nalt 5  | Dbm7   # ii of Gb7: Dorian\nalt 5  | Gb7    # extended ii–V: a side-step, its own key\n6  | F7     # extended dominant: V7 of Bb7\nalt 6  | Cm7    # ii of F7: Dorian\nalt 6  | F7     # extended dominant: V7 of Bb7\n7  | Bb7    # ♭VII7 from the parallel minor: Lydian Dominant\n8  | B7     # static dominant: its own mode\n",1793575889656]