[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:heres-to-life":3},"title: Here's To Life\ncomposer: Artie Butler\nstyle: Ballad\nkey: Cm\nform: AABAABCD, 68 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n# area: C minor (A1 1 – A2 4)\n1  | Fm7       # ii of Bb7sus: Dorian\n2  | Bb7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Bb9       # V7\u002FbIII in C minor: natural tensions\n3  | EbMaj7    # bIII of C minor: the relative major itself\n4  | AbMaj9    # a non-tonic major chord: Lydian\n5  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n7  | Cm7       # tonic minor: Dorian by convention\n8  | Cm7\n\nsection: A2\n1  | Fm7       # ii of Bb7sus: Dorian\n2  | Bb7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Bb9       # V7\u002FbIII in C minor: natural tensions\n3  | EbMaj7    # bIII of C minor: the relative major itself\n4  | AbMaj9    # a non-tonic major chord: Lydian\n# area: C major (A2 5 – B1 8)\n5  | Dm7b5     # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9#5    # V7 of C: b9, #11 and b13 from the symbol\n7  | CMaj7     # tonic: the 4th is in the key\n8  | CMaj7\n\nsection: B1\n1  | AbMaj7    # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | Dm7b5\u002FAb  # iiø7, borrowed from C minor: Locrian\n3  | CMaj7     # tonic: the 4th is in the key\n4  | C7\u002FBb     # I7 in C, not resolving: natural tensions\n5  | AbMaj7    # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | Dm7b5\u002FAb  # iiø7, borrowed from C minor: Locrian\n7  | C7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | C7sus\n\nsection: A3\ncopy: A1\n\nsection: A4\ncopy: A2\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | AbMaj7    # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | Bb9\u002FAb    # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Bdim7     # vii°7 of Cm7: G7♭9 without its root\n4  | Cm7       # a borrowed minor chord: Dorian, its own key\n# area: C minor (C 5 – D 12)\n5  | Fm7       # ii of Bb7sus: Dorian\n6  | Bb7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | Bb9       # bVII7 in C minor, not resolving: natural tensions\n7  | Cm7       # tonic minor: Dorian by convention\n8  | Cm7\u002FBb    # tonic minor: Dorian by convention\n\nsection: D\n1  | AbMaj7    # a non-tonic major chord: Lydian\n2  | Bb9\u002FAb    # bVII7 in C minor, not resolving: natural tensions\n3  | Bdim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4  | Bbm7      # a borrowed minor chord: Dorian, its own key\n4  | A7b5      # tritone substitute: resolves down a half step to AbMaj7\n5  | AbMaj7    # a non-tonic major chord: Lydian\n6  | Bb9\u002FAb    # bVII7 in C minor, not resolving: natural tensions\n7  | Bdim7     # vii°7 of Cm7: G7♭9 without its root\n8  | Cm7       # tonic minor: Dorian by convention\n9  | Fm7       # ii of Bb7sus: Dorian\n10 | Bb7sus    # static sus: Mixolydian\n11 | Cm9       # tonic minor: Dorian by convention\n12 | Cm9\n",1793575889591]