[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hello":3},"title: Hello\ncomposer: Milt Jackson\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | Am7     # ii: Dorian, the key’s own notes\n1  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | E7      # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n3  | C7      # tritone substitute: resolves down a half step to Bm7\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7     # ii: Dorian, the key’s own notes\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5  | Am7     # ii: Dorian, the key’s own notes\nalt 5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5  | Am7\u002FC   # ii: Dorian, the key’s own notes\n6  | Am7     # ii of the ii–V to G\n6  | D7b9    # V7 of G: the b9 from the symbol\n7  | GMaj7   # tonic: the 4th is in the key\n7  | Am7     # ii: Dorian, the key’s own notes\n8  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Am7     # ii of D7: Dorian\n10 | D7      # V7\u002FI in G: natural tensions\n11 | Dm7     # ii of the ii–V to C\n11 | G7      # V7\u002FIV in G: natural tensions\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | G       # tonic: the 4th is in the key\n2  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n3  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of the ii–V to C\n4  | G7      # V7\u002FIV in G: natural tensions\n5  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | G       # tonic: the 4th is in the key\n6  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n7  | Em7     # ii of A7: Dorian\n7  | A7      # V7\u002FV in G: natural tensions\n8  | Am7     # ii: Dorian, the key’s own notes\n8  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # V7\u002Fii in G: the b13 is in the key\n\nsection: A2\n1  | Am7     # ii: Dorian, the key’s own notes\n1  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | E7      # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n3  | C7      # tritone substitute: resolves down a half step to Bm7\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7     # ii: Dorian, the key’s own notes\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n7  | Cm6     # a minor sixth chord: Dorian\n8  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # V7\u002Fii in G: the b13 is in the key\n",1793575889494]