[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hello-young-lovers":3},"title: Hello Young Lovers\ncomposer: Richard Rogers\nstyle: Medium Up Swing\nkey: C\ntime: 3\u002F4\nform: AABA, 72 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7      # tonic: the 4th is in the key\n2  | Dm7        # ii: Dorian, the key’s own notes\n3  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Dm7        # ii: Dorian, the key’s own notes\n5  | CMaj7      # tonic: the 4th is in the key\n6  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n7  | Dm7        # ii of G7: Dorian\n8  | G7         # V7\u002FI in C: natural tensions\n9  | Dm7b5      # iiø7 of G7\u002FB: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7\u002FB       # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n11 | EbMaj7\u002FBb  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n12 | G7         # V7 in C, not resolving: natural tensions\n13 | Dm7        # ii of the ii–V to C\n14 | G7         # V7 of C: natural tensions\n15 | C6         # tonic: the 4th is in the key\n16 | G7         # V7 of C: natural tensions\n17 | C6         # tonic: the 4th is in the key\n18 | C7         # V7\u002FIV in C: natural tensions\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | F6         # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | Gm7        # a borrowed minor chord: Dorian, its own key\n3  | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7        # a borrowed minor chord: Dorian, its own key\n5  | FMaj7      # IV: the #4 is the key’s 7th\n6  | Gm7        # a borrowed minor chord: Dorian, its own key\n7  | FMaj7      # IV: the #4 is the key’s 7th\n8  | FMaj7\n9  | Bm7b5      # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7         # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Am7        # ii of D7: Dorian\n12 | D7         # V7\u002FV in C: natural tensions\n13 | Dm7        # ii: Dorian, the key’s own notes\n14 | A7b13      # V7\u002Fii in C: the b13 is in the key\n15 | Dm7        # ii of the ii–V to C\n16 | G7         # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7      # tonic: the 4th is in the key\n2  | Dm7        # ii: Dorian, the key’s own notes\n3  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Dm7        # ii: Dorian, the key’s own notes\n5  | CMaj7      # tonic: the 4th is in the key\n6  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n7  | Dm7        # ii of G7: Dorian\n8  | G7         # V7\u002FI in C: natural tensions\n9  | Dm7b5      # iiø7 of G7\u002FB: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7\u002FB       # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n11 | EbMaj7\u002FBb  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n12 | G7         # V7 in C, not resolving: natural tensions\n13 | Dm7        # ii of G7: Dorian\n14 | G7         # V7\u002FI in C: natural tensions\n15 | Gm7        # ii of the ii–V to F\n16 | C7         # V7\u002FIV in C: natural tensions\n17 | F6         # the C7 before it makes F the key of the moment: the 4th is in the key\n18 | Fm7        # iv7 from the parallel minor: Dorian, its notes\n19 | E7         # V7 of A7, on the way to D minor: b9 and b13 are in the key\n20 | A7         # V7 of D minor, the chain's last link: b9 and b13 are in the key\n21 | Dm7        # ii: Dorian, the key’s own notes\n22 | Ab7        # tritone substitute: resolves down a half step to G7\n22 | G7         # V7 of C: natural tensions\n23 | C6         # tonic: the 4th is in the key\n24 | C6\n",1793575889517]