[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hello-dolly":3},"title: Hello Dolly\ncomposer: Jerry Herman\nstyle: Medium Swing\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | C        # tonic: the 4th is in the key\n2  | C\n3  | Am       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am\n5  | CMaj7\u002FG  # tonic: the 4th is in the key\n6  | Abdim7   # passing diminished: a rootless dominant ♭9\n7  | Dm7      # ii of G7: Dorian\n8  | G7       # V7\u002FI in C: natural tensions\n9  | Dm       # ii: Dorian, the key’s own notes\n10 | Dm#5     # ii: Dorian, the key’s own notes\n11 | Dm6      # a minor sixth chord: Dorian\n12 | Dm#5     # ii: Dorian, the key’s own notes\n13 | Dm\u002FG     # ii of G7: Dorian\n14 | G7       # V7\u002FI in C: natural tensions\n15 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Ebdim7   # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n16 | Dm7      # ii of the ii–V to C\n16 | G7       # V7 of C: natural tensions\n\nsection: B\n1  | C        # tonic: the 4th is in the key\n2  | C\n3  | Am       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am\n5  | Gm7      # ii of the ii–V to F\n6  | C7       # V7\u002FIV in C: natural tensions\n7  | F        # the C7 before it makes F the key of the moment: the 4th is in the key\n8  | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n9  | Am       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Em       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | Am       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Em       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n14 | G7       # V7 of C: natural tensions\n15 | C6       # tonic: the 4th is in the key\n15 | Ebdim7   # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n16 | Dm7      # ii of the ii–V to C\n16 | G7       # V7 of C: natural tensions\n@coda 14\n\nsection: Coda\n1  | D7       # V7 of V7: the dominant of the dominant: natural tensions\n2  | G7       # V7 in C, not resolving: natural tensions\n3  | D7       # V7 of V7: the dominant of the dominant: natural tensions\n4  | G7       # V7 of C: natural tensions\n5  | C        # tonic: the 4th is in the key\n5  | C\u002FE      # tonic: the 4th is in the key\n5  | F        # IV: the #4 is the key’s 7th\n5  | F#dim    # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n6  | C\u002FG      # tonic: the 4th is in the key\n6  | G7       # V7 of C: natural tensions\n6  | C6       # tonic: the 4th is in the key\n@coda 1\n",1793575889506]