[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:heat-wave":3},"title: Heat Wave\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | GMaj7  # tonic: the 4th is in the key\n1 | Am7    # ii: Dorian, the key’s own notes\n2 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Am7    # ii: Dorian, the key’s own notes\n3 | GMaj7  # tonic: the 4th is in the key\n3 | Am7    # ii: Dorian, the key’s own notes\n4 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Am7    # ii: Dorian, the key’s own notes\n5 | GMaj7  # tonic: the 4th is in the key\n5 | G7     # V7\u002FIV in G: natural tensions\n6 | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n6 | F7     # tritone substitute: resolves down a half step to Em7\n7 | Em7    # ii of A7: Dorian\n7 | A7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | D7     # V7 of G: natural tensions\n8 | G6     # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | CMaj7  # IV: the #4 is the key’s 7th\n1 | Am7    # ii: Dorian, the key’s own notes\n2 | Dm7    # ii of the ii–V to C\n2 | G7     # V7\u002FIV in G: natural tensions\n3 | C6     # the G7 before it makes C the key of the moment: the 4th is in the key\n3 | Am7    # ii: Dorian, the key’s own notes\n4 | Dm7    # ii of the ii–V to C\n4 | G7     # V7\u002FIV in G: natural tensions\n5 | C6     # the G7 before it makes C the key of the moment: the 4th is in the key\n5 | Am7    # ii of the ii–V to G\n6 | D7     # V7 of G: natural tensions\n7 | G6     # tonic: the 4th is in the key\n8 | D7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | D7     # V7 of G: natural tensions\n\nsection: A3\n1 | GMaj7  # tonic: the 4th is in the key\n1 | Am7    # ii: Dorian, the key’s own notes\n2 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Am7    # ii: Dorian, the key’s own notes\n3 | GMaj7  # tonic: the 4th is in the key\n3 | Am7    # ii: Dorian, the key’s own notes\n4 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Am7    # ii: Dorian, the key’s own notes\n5 | GMaj7  # tonic: the 4th is in the key\n5 | G7     # V7\u002FIV in G: natural tensions\n6 | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n6 | F7     # tritone substitute: resolves down a half step to Em7\n7 | Em7    # ii of A7: Dorian\n7 | A7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | D7     # V7 of G: natural tensions\n8 | G6     # tonic: the 4th is in the key\n",1793575889445]