[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:haunted-heart":3},"title: Haunted Heart\ncomposer: Arthur Schwartz\nstyle: Ballad\nkey: Eb\nform: ABAC, 36 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6     # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | Eb6     # tonic: the 4th is in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n5  | AbMaj7  # IV: the #4 is the key’s 7th\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b13   # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n\nsection: B\n1  | Fm7     # ii: Dorian, the key’s own notes\n2  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | Eb6     # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | Eb6     # tonic: the 4th is in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n5  | AbMaj7  # IV: the #4 is the key’s 7th\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b13   # extended ii–V: a side-step, its own key; b13 from the symbol\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: C\n1  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n3  | Eb6\u002FBb  # tonic: the 4th is in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7b5   # iiø7 of D7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n7  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n9  | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | Eb6     # tonic: the 4th is in the key\n12 | Fm7     # ii of the ii–V to Eb\n12 | Bb7     # V7 of Eb: natural tensions\n",1793575889390]