[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:harlequin":3},"title: Harlequin\ncomposer: Wayne Shorter\nstyle: Ballad\nkey: A\nform: A, 30 bars\n# analysis: 2026-10-31, rules v2; A\n\nsection: Intro\n1  | A7sus    # static sus: Mixolydian\n2  | A7sus\n3  | C#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C#m7\n5  | Eb\u002FAb    # a non-tonic major chord: Lydian\n5  | Db\u002FEb    # a non-tonic major chord: Lydian\n6  | E\u002FA      # V without its 7th: Mixolydian, the key’s own notes\n6  | Bb\u002FC     # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n6  | C\u002FBb     # ♭III, borrowed from A minor: Lydian (its ♯11 is in the key)\n7  | Eb\u002FAb    # a non-tonic major chord: Lydian\n7  | Db\u002FEb    # a non-tonic major chord: Lydian\n8  | E\u002FA      # V without its 7th: Mixolydian, the key’s own notes\n8  | Bb\u002FC     # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n8  | C\u002FBb     # ♭III, borrowed from A minor: Lydian (its ♯11 is in the key)\n9  | E\u002FF#     # V without its 7th: Mixolydian, the key’s own notes\n10 | E\u002FF#\n\nsection: A\n1  | E7       # V7 in A, not resolving: natural tensions\n2  | Dm7\u002FG    # static sus: Mixolydian\n3  | AMaj7\u002FB  # tonic: the 4th is in the key\n3  | Bbm7     # a borrowed minor chord: Dorian, its own key\n3  | AMaj7    # tonic: the 4th is in the key\n4  | Ebm7     # a borrowed minor chord: Dorian, its own key\n4  | Ebm7\u002FDb  # a borrowed minor chord: Dorian, its own key\n5  | Eb\u002FAb    # a non-tonic major chord: Lydian\n5  | Db\u002FEb    # a non-tonic major chord: Lydian\n6  | E\u002FA      # V without its 7th: Mixolydian, the key’s own notes\n6  | Bb\u002FC     # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n6  | C\u002FBb     # ♭III, borrowed from A minor: Lydian (its ♯11 is in the key)\n7  | E7       # V7 in A, not resolving: natural tensions\n8  | Dm7\u002FG    # static sus: Mixolydian\n9  | Bm7      # ii: Dorian, the key’s own notes\n9  | E\u002FF#     # V without its 7th: Mixolydian, the key’s own notes\n10 | Em7      # a borrowed minor chord: Dorian, its own key\n10 | E7#5     # V7 in A, not resolving: #11 and b13 from the symbol\n11 | GMaj7\u002FA  # ♭VIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n12 | GMaj7\u002FA\n13 | Db\u002FF     # a non-tonic major chord: Lydian\n13 | C#m7\u002FE   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Eb7b9    # extended dominant: V7 of Ab7#5; b9 from the symbol\n14 | Ab7#5    # VII7 in A, not resolving: b9 and b13 are in the key, the #11 from the symbol\n15 | Abm7b5   # viiø7 in A: Locrian, the key's own notes (its ♭2 is a passing note)\n15 | Bm7      # ii of E7: Dorian\n15 | E7       # V7\u002FI in A: natural tensions\n16 | Bbm7     # ii of Eb7: Dorian\n16 | Eb7      # extended ii–V: a side-step, its own key\n16 | Am7      # ii of D7: Dorian\n16 | D7       # back door bVII7 to E\u002FF#: the #11 is in the key\n17 | E\u002FF#     # V without its 7th: Mixolydian, the key’s own notes\n18 | E\u002FF#\n19 | E7       # V7 in A, not resolving: natural tensions\n20 | Dm7\u002FG    # static sus: Mixolydian\n21 | AMaj7\u002FB  # tonic: the 4th is in the key\n21 | Bbm7     # a borrowed minor chord: Dorian, its own key\n21 | AMaj7    # tonic: the 4th is in the key\n22 | CMaj7\u002FD  # ♭IIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n22 | C13      # tritone substitute: resolves down a half step to Bm7\n23 | Bm7      # ii of E7#5: Dorian\n24 | E7#5     # extended dominant: V7 of A7#9; #11 and b13 from the symbol\n24 | A7#9     # I7 in A, not resolving: b9, #9 and #11 from the symbol\n25 | Cm7\u002FF    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n26 | F13      # ♭VI7 from the parallel minor: Lydian Dominant\n27 | Cm7\u002FF    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n28 | F13      # ♭VI7 from the parallel minor: Lydian Dominant\n29 | C#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n30 | C#m7\n@coda 6\n\nsection: Coda\n1  | Eb\u002FAb    # a non-tonic major chord: Lydian\n1  | Db\u002FEb    # a non-tonic major chord: Lydian\n2  | E\u002FA      # V without its 7th: Mixolydian, the key’s own notes\n2  | Bb\u002FC     # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n2  | C\u002FBb     # ♭III, borrowed from A minor: Lydian (its ♯11 is in the key)\n3  | Eb\u002FAb    # a non-tonic major chord: Lydian\n3  | Db\u002FEb    # a non-tonic major chord: Lydian\n4  | E\u002FA      # V without its 7th: Mixolydian, the key’s own notes\n4  | Bb\u002FC     # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n4  | C\u002FBb     # ♭III, borrowed from A minor: Lydian (its ♯11 is in the key)\n@coda 1\n",1793575889379]