[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:harlem-nocturne":3},"title: Harlem Nocturne\ncomposer: Hagen, Rogers\nstyle: Medium Swing\nkey: Gm\nform: AABBA, 42 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A1\n1  | GmMaj7  # from the symbol: minor-major 7th\n2  | Gm7     # tonic minor: Dorian by convention\n3  | Cm7     # iv: Dorian, the key’s own notes\n4  | Cm7\n5  | CmMaj7  # from the symbol: minor-major 7th\n6  | A7alt   # from the symbol: altered\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # V7 of G minor: b9 and b13 are in the key\n7  | Gm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Gm6\n9  | Gm6\n10 | Gm6\n10 | F7      # extended dominant: V7 of Bb7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bb7     # bIII7 in G minor, not resolving: natural tensions\n1  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FbVI in G minor: natural tensions\n2  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FbVI in G minor: natural tensions\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # extended dominant: V7 of Eb7\n5  | Eb7     # bVI7 in G minor, not resolving: the #11 is in the key\n5  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended ii–V: a side-step, its own key\n6  | Bbm7    # ii of Eb9: Dorian\n7  | Eb9     # extended ii–V: a side-step, its own key\n7  | Db9     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | B9      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | A9      # II7 in G minor, not resolving: the b13 is in the key, the 9 from the symbol\n8  | G9      # extended dominant: V7 of C9\n8  | C9      # extended dominant: V7 of F7\n8  | F7      # bVII7 in G minor, not resolving: natural tensions\n9  | G9      # I7 in G minor, not resolving: the b13 is in the key\n9  | F9      # bVII7 in G minor, not resolving: natural tensions\n9  | Eb9     # bVI7 in G minor, not resolving: the #11 is in the key\n9  | Db9     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n10 | Gm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n11 | Gm6\n@ending 1 8\n@ending 2 9 11\n\nsection: A2\n1  | GmMaj7  # from the symbol: minor-major 7th\n2  | Gm7     # tonic minor: Dorian by convention\n3  | Cm7     # iv: Dorian, the key’s own notes\n4  | Cm7\n5  | CmMaj7  # from the symbol: minor-major 7th\n6  | A7alt   # from the symbol: altered\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # V7 of G minor: b9 and b13 are in the key\n7  | Gm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Gm6\n",1793575889370]