[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:happiness-is-a-thing-called-joe":3},"title: Happiness Is A Thing Called Joe\ncomposer: Harold Arlen\nstyle: Medium Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | F6      # tonic: the 4th is in the key\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Gm7     # ii: Dorian, the key’s own notes\n3 | F6      # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Gm7     # ii: Dorian, the key’s own notes\n5 | F6      # tonic: the 4th is in the key\n5 | Gm7     # ii: Dorian, the key’s own notes\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: B\n1 | C7\n2 | C7\n3 | C7\n4 | C7\n5 | FMaj7   # tonic: the 4th is in the key\n6 | Bm7     # ii of the ii–V to A minor\n6 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n7 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | F6      # tonic: the 4th is in the key\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Gm7     # ii: Dorian, the key’s own notes\n3 | F6      # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Gm7     # ii: Dorian, the key’s own notes\n5 | F6      # tonic: the 4th is in the key\n5 | Db7     # tritone substitute: resolves down a half step to Cm7\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7\u002FIV in F: natural tensions\n7 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8 | BbMaj7\n\nsection: C\n1 | BbMaj7\n2 | Bbm7    # iv7 from the parallel minor: Dorian, its notes\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n7 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: Coda\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | F6      # tonic: the 4th is in the key\n4 | F6\n@coda 1\n",1793575889308]