[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:hackensack":3},"title: Hackensack\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | F6     # tonic: the 4th is in the key\n2  | Bb7    # IV7 in F, not resolving: the #11 is in the key\n3  | F6     # tonic: the 4th is in the key\n4  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7     # V7\u002Fii in F: the b13 is in the key\n5  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n8  | C7     # V7 of F: natural tensions\n9  | F6     # tonic: the 4th is in the key\n10 | F6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bb7    # IV7 in F, not resolving: the #11 is in the key\n2  | Bdim7  # ♯IV°7 to I: E7♭9 without its root, the ♯II°7's notes\n3  | F6     # tonic: the 4th is in the key\n4  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5  | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6  | G7\n7  | C7     # V7 in F, not resolving: natural tensions\n8  | Db7    # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n\nsection: A2\n1  | F6     # tonic: the 4th is in the key\n2  | Bb7    # IV7 in F, not resolving: the #11 is in the key\n3  | F6     # tonic: the 4th is in the key\n4  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7     # V7\u002Fii in F: the b13 is in the key\n5  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n8  | C7     # V7 of F: natural tensions\n",1793575889277]