[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gregory-is-here":3},"title: Gregory Is Here\ncomposer: Horace Silver\nstyle: Bossa Nova\nkey: Bb\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – A2 16)\n1  | B9#11   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2  | B9#11\n3  | Cm11    # ii: Dorian, the key’s own notes\n4  | Cm11\n5  | B9#11   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | B9#11\n7  | Cm11    # ii: Dorian, the key’s own notes\n8  | Cm11\n9  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9    # V7\u002Fvi in Bb: b9 and b13 are in the key\n11 | Gm7     # ii of C7: Dorian\n12 | C7      # V7\u002FV in Bb: natural tensions\n13 | Cm11    # ii: Dorian, the key’s own notes\n14 | B7#9    # tritone substitute: resolves down a half step to BbMaj7; b9 and #9 from the symbol\n15 | BbMaj7  # tonic: the 4th is in the key\n16 | BbMaj7\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Db major (B 1–6)\n1  | Ebm7    # ii of the ii–V to Db\n2  | Ab7     # V7 of Db: natural tensions\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Ebm7    # ii of Ab7: Dorian\n6  | Ab7     # V7\u002FI in Db: natural tensions\n# area: Bb major (B 7 – A3 16)\n7  | Cm11    # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n8  | N.C.\n\nsection: A3\n1  | B9#11   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2  | B9#11\n3  | Cm11    # ii: Dorian, the key’s own notes\n4  | Cm11\n5  | B9#11   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | B9#11\n7  | Cm11    # ii: Dorian, the key’s own notes\n8  | Cm11\n9  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9    # V7\u002Fvi in Bb: b9 and b13 are in the key\n11 | Gm7     # ii of C7: Dorian\n12 | C7      # V7\u002FV in Bb: natural tensions\n13 | Cm11    # ii: Dorian, the key’s own notes\n14 | B7#9    # tritone substitute: resolves down a half step to BbMaj7; b9 and #9 from the symbol\n15 | BbMaj7  # tonic: the 4th is in the key\n16 | BbMaj7\n",1793575889180]