[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:goodbye-pork-pie-hat":3},"title: Goodbye Pork Pie Hat\ncomposer: Charles Mingus\nstyle: Ballad\nkey: Eb\nform: AA, 24 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Intro1\n# area: Eb major (Intro1 1)\n1  | Eb7#9     # I7 in Eb, not resolving: b9, #9 and #11 from the symbol; the repeat at Intro2 bar 1 would be Eb Altered\n# area: E major (Intro1 1 – Coda 3)\n1  | B13       # V7 of E: natural tensions\n2  | EMaj9     # tonic: the 4th is in the key\n2  | A7#11     # IV7 in E, not resolving: the #11 is in the key\n3  | Db9sus    # static sus: Mixolydian\n3  | B13       # V7 in E, not resolving: natural tensions\n4  | Db9sus    # static sus: Mixolydian\n4  | Eb7       # V7\u002Fiii in E: b9 and b13 are in the key\n5  | Abm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | B13       # V7 in E, not resolving: natural tensions\n6  | Fm7b5     # iiø7 of Bb7#9#5: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Bb7#9#5   # extended ii–V: a side-step, its own key: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | C13#11    # extended dominant: V7 of F13; #11 from the symbol\n7  | F13       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | B7        # V7 of E: natural tensions\n8  | EMaj7     # tonic: the 4th is in the key\n9  | A13       # tritone substitute: resolves down a half step to Ab7\n9  | Ab7       # III7 in E, not resolving: b9 and b13 are in the key\n10 | Bb7       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n10 | Db7       # VI7 in E, not resolving: the b13 is in the key\n11 | Eb7#9     # VII7 in E, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | B7        # V7 of E: natural tensions\n12 | EMaj7#11  # from the symbol: #11\n12 | A9#11     # IV7 in E, not resolving: the #11 is in the key\n@coda 11\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | EbmMaj7   # from the symbol: minor-major 7th\n1  | Abm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | EbmMaj7   # from the symbol: minor-major 7th\n2  | Abm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | EbmMaj7   # from the symbol: minor-major 7th\n3  | Abm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | EbmMaj7   # from the symbol: minor-major 7th\n4  | A7#5      # tritone substitute: resolves down a half step to Abm; b13 from the symbol\n5  | Abm       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Abm6      # a minor sixth chord: Dorian\n6  | B7        # tritone substitute: resolves down a half step to Bb7b13\n6  | Bb7b13    # V7\u002Fvii in E: b9 and b13 are in the key\n7  | EbmMaj7   # from the symbol: minor-major 7th\n7  | Ab7       # extended ii–V: a side-step, its own key\n8  | EbmMaj7   # from the symbol: minor-major 7th\n8  | Ab7       # extended ii–V: a side-step, its own key\n9  | Cm7b5     # iiø7 of F7#9#5: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | F7#9#5    # extended ii–V: a side-step, its own key: the b13 is in the key, b9, #9 and #11 from the symbol\n10 | F#m7      # ii: Dorian, the key’s own notes\n10 | Bm7       # a borrowed minor chord: Dorian, its own key\n10 | Bb7       # V7\u002Fvii in E: b9 and b13 are in the key\n11 | EbmMaj7   # from the symbol: minor-major 7th\n11 | Ab7       # extended ii–V: a side-step, its own key\n12 | EbmMaj7   # from the symbol: minor-major 7th\n12 | Ab7       # extended ii–V: a side-step, its own key\n@nav 12 D.C. al Coda\n\nsection: A2\ncopy: A1\n\nsection: Coda\n1  | EMaj7#11  # from the symbol: #11\n1  | A7#11     # IV7 in E, not resolving: the #11 is in the key\n2  | Eb7#9     # VII7 in E, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | EMaj7     # tonic: the 4th is in the key\n3  | EbmMaj7   # from the symbol: minor-major 7th\n@coda 1\n",1793575889108]