[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gone-with-the-wind":3},"title: Gone with the Wind\ncomposer: Allie Wrubel\nstyle: Medium swing\nkey: Eb\nform: AB, 32 bars\nrecording: Wes Montgomery; The Incredible Jazz Guitar of Wes Montgomery; Riverside; 1960\nyoutube: 9hNqzDp5MYE\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1960-01-26\u002F28, Reeves Sound Studios, NYC, Wes Montgomery with Tommy Flanagan, Percy Heath, Albert Heath, Riverside RLP 12-320; songbook standard (1937) → Wes's quartet reading as the jazz reference; sources: jazzdisco, Wikipedia; video: Wes Montgomery's official channel, \"Official Audio\", from The Incredible Jazz Guitar, the same take\n\n# bar | chord\n\nsection: A\n# area: Eb major (A 1–4)\n1  | Fm7     # ii of the ii–V to Eb\n1  | Bb7     # V7 of Eb: natural tensions\n2  | EbMaj7  # tonic: the 4th is in the key\n# alt: bar 2 (G7 C7)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n@key 5 G\n# area: G major (A 5–8)\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7 of G: natural tensions\n6  | G6      # tonic: the 4th is in the key\n# alt (optional): bar 6 (G6 E7)\n7  | Am7     # ii of the ii–V to G\n7  | D7      # V7 of G: natural tensions\n8  | GMaj7   # tonic: the 4th is in the key\n@key 9 Eb\n# area: Eb major (A 9 – B 4)\n9  | Gm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# alt: bar 9 (EbMaj7\u002FG)\n10 | F#dim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n11 | Fm7     # ii of the ii–V to Eb\n12 | Bb7     # V7 of Eb: natural tensions\n13 | EbMaj7  # tonic: the 4th is in the key\n# alt: bars 13–14 (EbMaj7 D7#5 | Db13)\n14 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n\nsection: B\nkey: Eb\nbars: 16\n1  | Fm7     # ii of the ii–V to Eb\n1  | Bb7     # V7 of Eb: natural tensions\n2  | EbMaj7  # tonic: the 4th is in the key\n# alt: bar 2 (G7 C7)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n@key 5 G\n# area: G major (B 5–8)\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7 of G: natural tensions\n6  | G6      # tonic: the 4th is in the key\n# alt (optional): bar 6 (G6 E7)\n7  | Am7     # ii of the ii–V to G\n7  | D7      # V7 of G: natural tensions\n8  | GMaj7   # tonic: the 4th is in the key\n@key 9 Eb\n# area: Eb major (B 9–15)\n9  | Fm      # ii: Dorian, the key’s own notes\n10 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Fm7     # ii of Bb7: Dorian\n11 | Bb7     # V7\u002FI in Eb: natural tensions\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb13    # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n# alt (turnaround): bar 16 (Gm7 C7)\n",1793484799914]