[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:golden-notebooks":3},"title: Golden Notebooks\ncomposer: Gerry Mulligan\nstyle: Medium Swing\nkey: C\nform: AABBCD, 66 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1 – B 5)\n1  | CMaj7   # tonic: the 4th is in the key\n2  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n3  | CMaj7   # tonic: the 4th is in the key\n4  | CMaj7\n5  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | CMaj7   # tonic: the 4th is in the key\n7  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n8  | A       # a non-tonic major chord: Lydian\n9  | G       # V without its 7th: Mixolydian, the key’s own notes\n9  | A       # a non-tonic major chord: Lydian\n10 | G       # V without its 7th: Mixolydian, the key’s own notes\n10 | A       # a non-tonic major chord: Lydian\n@segno 1\n@ending 1 9\n@ending 2 10\n\nsection: B\n1  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n1  | G7      # V7 of C: natural tensions\n1  | C       # tonic: the 4th is in the key\n2  | C\n3  | Dsus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | G7      # V7 of C: natural tensions\n3  | C       # tonic: the 4th is in the key\n4  | C\n5  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n5  | G7      # V7 of C: natural tensions\n5  | C       # tonic: the 4th is in the key\n# area: Eb major (B 6–7)\n6  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n# area: C major (B 8–10)\n8  | Dm7     # ii of G7: Dorian\n8  | G7      # V7\u002FI in C: natural tensions\n9  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n10 | Dm7     # ii: Dorian, the key’s own notes\n# area: D major (B 10 – D 7)\n10 | A7      # V7 of D: natural tensions\n@coda 6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: C\n1  | DMaj7   # tonic: the 4th is in the key\n2  | CMaj7   # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | DMaj7   # tonic: the 4th is in the key\n4  | CMaj7   # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n5  | DMaj7   # tonic: the 4th is in the key\n6  | CMaj7   # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7  | B       # a non-tonic major chord: Lydian\n8  | A       # V without its 7th: Mixolydian, the key’s own notes\n8  | B       # a non-tonic major chord: Lydian\n\nsection: D\n1  | E7      # V7 of V7: the dominant of the dominant: natural tensions\n1  | A7      # V7 of D: natural tensions\n1  | D       # tonic: the 4th is in the key\n2  | D\n3  | Esus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | A7      # V7 of D: natural tensions\n3  | D       # tonic: the 4th is in the key\n4  | D\n5  | E7      # V7 of V7: the dominant of the dominant: natural tensions\n5  | A7      # V7 of D: natural tensions\n5  | D       # tonic: the 4th is in the key\n6  | G       # IV: the #4 is the key’s 7th\n6  | C       # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n7  | FMaj7   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n# area: C major (D 8 – Coda 3)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | CMaj7   # tonic: the 4th is in the key\n10 | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n11 | CMaj7   # tonic: the 4th is in the key\n12 | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n13 | CMaj7   # tonic: the 4th is in the key\n14 | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n15 | A       # a non-tonic major chord: Lydian\n16 | G       # V without its 7th: Mixolydian, the key’s own notes\n16 | A       # a non-tonic major chord: Lydian\n17 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n17 | G7      # V7 of C: natural tensions\n18 | C       # tonic: the 4th is in the key\n19 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n19 | G7      # V7 of C: natural tensions\n20 | C       # tonic: the 4th is in the key\n21 | C\n22 | C\n23 | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n24 | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n\nsection: Coda\n1  | EbMaj7  # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n@coda 1\n",1793575889008]