[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:god-bless-the-child":3},"title: God Bless The Child\ncomposer: Herzog, Holiday\nstyle: Ballad\nkey: Eb\nform: AABA, 38 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n1  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Bbm7    # ii of Eb7: Dorian\n3  | Eb7     # V7\u002FIV in Eb: natural tensions\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | Abm6    # a minor sixth chord: Dorian\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | Eb6     # tonic: the 4th is in the key\n12 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n@ending 1 9 10\n@ending 2 11 12\n\nsection: B\n1  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | CmMaj7  # from the symbol: minor-major 7th\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm6     # a minor sixth chord: Dorian\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n5  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | CmMaj7  # from the symbol: minor-major 7th\n6  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Cm6     # a minor sixth chord: Dorian\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n1  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Bbm7    # ii of Eb7: Dorian\n3  | Eb7     # V7\u002FIV in Eb: natural tensions\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | Abm6    # a minor sixth chord: Dorian\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n",1793575888955]