[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:glorias-step":3},"title: Gloria's Step\ncomposer: Scott LaFaro\nstyle: Medium swing\nkey: F\nform: AB, 20 bars\nrecording: Bill Evans Trio; Sunday at the Village Vanguard; Riverside; 1961\nyoutube: OVEOf7VCNgs\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded live 1961-06-25, Village Vanguard, New York, Bill Evans with Scott LaFaro and Paul Motian, take 2 (the LP's), Riverside RLP 376; the chart follows Evans's version; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Sunday At The Village Vanguard [Keepnews Collection], the same take (take 2, not takes 1 or 3)\n# book: as played by Bill Evans\n# the whole form repeats; last time, to the Coda from B bar 7\n\n# bar | chord\n\nsection: A\n# area: F major (A 1–3)\n1  | FMaj7    # tonic: the 4th is in the key\n2  | EbMaj7   # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n2  | DMaj7    # a non-tonic major chord: Lydian\n# alt (for solos): bar 2 (EbMaj7 for the whole bar)\n3  | DbMaj7   # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n# area: F minor (A 4 – Coda 4)\n4  | C7#9     # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7      # tonic minor: Dorian by convention\n6  | FMaj7    # a non-tonic major chord: Lydian\n7  | EbMaj7   # ♭VII of F minor: E♭ major, the notes of F Dorian\n7  | DMaj7    # a non-tonic major chord: Lydian\n# alt (for solos): bar 7 (EbMaj7 for the whole bar)\n8  | DbMaj7   # a non-tonic major chord: Lydian\n9  | C7#9     # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n10 | Fm7      # tonic minor: Dorian by convention\n\nsection: B\nbars: 10\n1  | Em7      # a borrowed minor chord: Dorian, its own key\n2  | FMaj7    # a non-tonic major chord: Lydian\n3  | Am13     # a borrowed minor chord: Dorian, its own key\n4  | Em7b5    # viiø7 in F minor: Locrian, its own mode (the chord is outside the key)\n5  | Gm7b5    # iiø7 in F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Dm7b5    # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n7  | Fm7b5    # iø7 in F minor: Locrian, its own mode (the chord is outside the key)\n# book: Fm11(b5) (also in the Coda)\n@coda 7\n8  | Bbm7b5   # iiø7 of Eb7#5#9: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Bbm11(b5) (also in the Coda)\n9  | Eb7#5#9  # back door bVII7 to FMaj7: b9, #9, #11 and b13 from the symbol\n# alt (optional, \"may also be played\"): bars 7–10 (G7alt C7alt A13#11 —); they differ from the given changes only by the root\n\nsection: Coda\n@coda 1\n1  | Fm7b5    # iø7 in F minor: Locrian, its own mode (the chord is outside the key)\n2  | Bbm7b5   # iiø7 of Eb7#5#9: Locrian, the key's own notes (its ♭2 is a passing note)\n# bar 3: drum fill over the held Bbm7b5\n4  | Eb7#5#9  # extended ii–V: a side-step, its own key: the b13 is in the key, b9, #9 and #11 from the symbol\n# bar 4: fermata\n",1793484799897]