[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:glad-to-be-unhappy":3},"title: Glad To Be Unhappy\ncomposer: Richard Rodgers, Hart\nstyle: Ballad\nkey: F\nform: ABC, 24 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3 | C7      # V7 in F, not resolving: natural tensions\n4 | C7\n5 | Gm7     # ii: Dorian, the key’s own notes\n6 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: B\n1 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n1 | C7      # V7 in F, not resolving: natural tensions\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | D7      # V7\u002Fii in F: the b13 is in the key\n3 | Gm7     # ii of the ii–V to F\n3 | C7      # V7 of F: natural tensions\n4 | F6      # tonic: the 4th is in the key\n5 | BbMaj7  # IV: the #4 is the key’s 7th\n5 | Bm7     # ii of the ii–V to A minor\n5 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n\nsection: C\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3 | C7      # V7 in F, not resolving: natural tensions\n4 | C7\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7      # V7\u002Fii in F: the b13 is in the key\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n",1793575888936]