[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:give-me-the-simple-life":3},"title: Give Me The Simple Life\ncomposer: Rube Bloom\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # extended ii–V: a side-step, its own key\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G7b13   # V7\u002Fvi in Eb: b9 and b13 are in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n5  | Abm6    # a minor sixth chord: Dorian\n6  | Eb6\u002FG   # tonic: the 4th is in the key\n6  | Gbdim7  # passing diminished: a rootless dominant ♭9\n7  | Fm7     # ii: Dorian, the key’s own notes\n7  | C7      # extended dominant: V7 of F7\n8  | F7      # II7 in Eb, not resolving: natural tensions\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n9  | Fm7     # ii of the ii–V to Eb\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n6  | Cm7     # ii of F7: Dorian\n7  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: A2\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # extended ii–V: a side-step, its own key\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G7b13   # V7\u002Fvi in Eb: b9 and b13 are in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n5  | Abm6    # a minor sixth chord: Dorian\n6  | Eb6\u002FG   # tonic: the 4th is in the key\n6  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n",1793575888916]