[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:girl-talk":3},"title: Girl Talk\ncomposer: Neal Hefti\nstyle: Slow Swing\nkey: F\nform: A, 12 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1–4)\n1  | FMaj7    # tonic: the 4th is in the key\n1  | B7       # tritone substitute: resolves down a half step to BbMaj7\n2  | BbMaj7   # the B7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Eb7      # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | D7       # V7\u002Fii in F: the b13 is in the key\n4  | Gm7      # ii: Dorian, the key’s own notes\n4  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bb6      # IV: the #4 is the key’s 7th\n# area: F minor (A 4–11)\n4  | C7       # V7 of F minor: b9 and b13 are in the key\n5  | Fm7      # tonic minor: Dorian by convention\n5  | Bbm7     # iv: Dorian, the key’s own notes\n6  | G7b9#11  # V7 of V7: the dominant of the dominant: b9 and #11 from the symbol\n6  | C7       # V7 in F minor, not resolving: b9 and b13 are in the key\n7  | Am7      # ii of D7: Dorian\n7  | D7       # extended ii–V: a side-step, its own key\n8  | Am7b5    # iiiø7 in F minor: Locrian, its own mode (the chord is outside the key)\n8  | Bbm7     # iv: Dorian, the key’s own notes\n8  | Cm6      # a minor sixth chord: Dorian\n8  | D7       # extended dominant: V7 of G7sus\n9  | G7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n9  | G7       # V7 of V7: the dominant of the dominant: natural tensions\n10 | C7       # V7 in F minor, not resolving: b9 and b13 are in the key\n10 | Bbm7     # iv: Dorian, the key’s own notes\n11 | Am7      # a borrowed minor chord: Dorian, its own key\n11 | Dm7      # a borrowed minor chord: Dorian, its own key\n# area: F major (A 12)\n12 | Gm7      # ii of the ii–V to F\n12 | C7       # V7 of F: natural tensions\n",1793575888904]