[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:get-happy":3},"title: Get Happy\ncomposer: Harold Arlen\nstyle: Medium Up Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – A2 5)\n1 | F6     # tonic: the 4th is in the key\n1 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | F6     # tonic: the 4th is in the key\n5 | F7\u002FA   # V7\u002FIV in F: natural tensions\n6 | Bb6    # the F7\u002FA before it makes Bb the key of the moment: the 4th is in the key\n6 | Bdim7  # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n7 | F6\u002FC   # tonic: the 4th is in the key\n7 | C7     # V7 of F: natural tensions\n8 | F6     # tonic: the 4th is in the key\n8 | F7     # V7\u002FIV in F: natural tensions\n\nsection: A2\n1 | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n1 | Gm7    # ii: Dorian, the key’s own notes\n2 | Cm7    # ii of F7: Dorian\n2 | F7     # V7\u002FIV in F: natural tensions\n3 | Dm7    # ii of the ii–V to C minor\n3 | G7     # V7\u002Fv in F: natural tensions\n4 | Cm7    # ii of the ii–V to Bb\n4 | F7     # V7\u002FIV in F: natural tensions\n5 | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n# area: Eb major (A2 5–7)\n5 | Bb7\u002FD  # V7 of Eb: natural tensions\n6 | Eb6    # tonic: the 4th is in the key\n6 | Edim7  # vii°7 to Bb6\u002FF, up to its bass: C7♭9 without its root\n7 | Bb6\u002FF  # a non-tonic major chord: Lydian\n# area: F major (A2 7 – A3 8)\n7 | F7     # V7\u002FIV in F: natural tensions\n8 | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n\nsection: B\n1 | Cm7    # ii of the ii–V to Bb minor\n1 | F7     # V7\u002Fiv in F: natural tensions\n2 | Bbm7   # ii of Eb7: Dorian\n2 | Eb7    # extended ii–V: a side-step, its own key\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of C7: Dorian\n4 | C7     # V7\u002FI in F: natural tensions\n5 | Cm7    # ii of the ii–V to Bb minor\n5 | F7     # V7\u002Fiv in F: natural tensions\n6 | Bbm7   # ii of Eb7: Dorian\n6 | Eb7    # extended ii–V: a side-step, its own key\n7 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n\nsection: A3\n1 | F6     # tonic: the 4th is in the key\n1 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | F6     # tonic: the 4th is in the key\n5 | F7\u002FA   # V7\u002FIV in F: natural tensions\n6 | Bb6    # the F7\u002FA before it makes Bb the key of the moment: the 4th is in the key\n6 | Bdim7  # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n7 | F6\u002FC   # tonic: the 4th is in the key\n7 | C7     # V7 of F: natural tensions\n8 | F6     # tonic: the 4th is in the key\n8 | C7     # V7 of F: natural tensions\n",1793575888836]