[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:georgia-on-my-mind":3},"title: Georgia on My Mind\ncomposer: Hoagy Carmichael\nstyle: Ballad\nkey: F\nform: AABC\nrecording: Ray Charles; The Genius Hits the Road; ABC-Paramount; 1960\nyoutube: ggGzE5KfCio\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1960, New York (March per the album's sources, May per the single's), arranged and conducted by Ralph Burns, produced by Sid Feller; ABC-Paramount 335, released September 1960; songbook standard → Ray Charles's reading is the reference; sources: Wikipedia; video: Ray Charles's official channel, the original studio recording, the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | FMaj7  # tonic: the 4th is in the key\n2 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Dm\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bm7b5  # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n4 | Bbm7   # ii of Eb7: Dorian\n4 | Eb7    # extended ii–V: a side-step, its own key\n5 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7     # V7\u002Fii in F: the b13 is in the key\n6 | Gm7    # ii of C7: Dorian\n6 | C7     # V7\u002FI in F: natural tensions\n7 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7alt  # from the symbol: altered\n\nsection: A2\n1 | FMaj7  # tonic: the 4th is in the key\n2 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Dm\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bm7b5  # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n4 | Bbm7   # ii of Eb7: Dorian\n4 | Eb7    # extended ii–V: a side-step, its own key\n5 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7     # V7\u002Fii in F: the b13 is in the key\n6 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | FMaj7  # tonic: the 4th is in the key\n8 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7#9   # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: B\n1 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bb7    # tritone substitute: resolves down a half step to A7\n2 | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7    # ii of G7: Dorian\n4 | G7     # V7\u002FV in F: natural tensions\n5 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Dm\u002FC#  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Dm\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | E7alt  # from the symbol: altered\n7 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n\nsection: C\n1 | FMaj7  # tonic: the 4th is in the key\n2 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Dm\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bm7b5  # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n4 | Bbm7   # ii of Eb7: Dorian\n4 | Eb7    # extended ii–V: a side-step, its own key\n5 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7     # V7\u002Fii in F: the b13 is in the key\n6 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | FMaj7  # tonic: the 4th is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n",1793484799876]