[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gentlewind-and-falling-tear":3},"title: Gentlewind and Falling Tear\ncomposer: Gary Burton\nstyle: Ballad\nkey: Ab\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n# area: Ab major (A 1–4)\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | C7#9    # V7\u002Fvi in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | B13     # ♭III7 from the parallel minor: Lydian Dominant\n3  | DMaj7   # a non-tonic major chord: Lydian\n3  | FMaj7   # a non-tonic major chord: Lydian\n4  | EbMaj7  # a non-tonic major chord: Lydian\n# area: D minor (A 4–6)\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7      # V7 of D minor: b9 and b13 are in the key\n5  | Dm7     # tonic minor: Dorian by convention\n5  | C7      # V7\u002FbIII in D minor: natural tensions\n6  | FMaj7   # bIII of D minor: the relative major itself\n6  | F13     # bIII7 in D minor, not resolving: natural tensions\n# area: Ab major (A 6–7)\n6  | A7      # tritone substitute: resolves down a half step to Ab\n7  | Ab      # tonic: the 4th is in the key\n# area: Gb major (A 7–15)\n7  | G7      # tritone substitute: resolves down a half step to GbMaj7\n8  | GbMaj7  # tonic: the 4th is in the key\n8  | Fm7     # a borrowed minor chord: Dorian, its own key\n9  | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Ab      # a non-tonic major chord: Lydian\n10 | GbMaj7  # tonic: the 4th is in the key\n10 | Fm7     # a borrowed minor chord: Dorian, its own key\n11 | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | Gb      # tonic: the 4th is in the key\n12 | Ebm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Cm7     # a borrowed minor chord: Dorian, its own key\n13 | DbMaj7  # a non-tonic major chord: Lydian\n13 | B7      # tritone substitute: resolves down a half step to Bbm7\n14 | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Eb7     # V7\u002Fii in Gb: the b13 is in the key\n15 | Abm7    # ii of Db7: Dorian\n15 | Db7     # V7\u002FI in Gb: natural tensions\n# area: Ab major (A 16–21)\n16 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n17 | Bbm7    # ii: Dorian, the key’s own notes\n17 | Ebm7    # ii of the ii–V to Db\n18 | Ab7     # V7\u002FIV in Ab: natural tensions\n18 | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n19 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n19 | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n20 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | F7      # V7\u002Fii in Ab: the b13 is in the key\n21 | Bbm7    # ii: Dorian, the key’s own notes\n# area: F major (A 21–24)\n21 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n21 | C7      # V7 of F: natural tensions\n22 | F       # tonic: the 4th is in the key\n22 | B7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n23 | D       # a non-tonic major chord: Lydian\n23 | F       # tonic: the 4th is in the key\n24 | EMaj7   # a non-tonic major chord: Lydian\n@ending 1 9 16\n@ending 2 17 24\n",1793575888807]