[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gentle-wind-and-falling-tear":3},"title: Gentle Wind And Falling Tear\ncomposer: Gary Burton\nstyle: Ballad\nkey: Ab\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n# area: Ab major (A 1–4)\n1  | Fm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | C7#9       # V7\u002Fvi in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | Fm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | B13        # ♭III7 from the parallel minor: Lydian Dominant\n3  | DMaj7      # a non-tonic major chord: Lydian\n3  | FMaj7      # a non-tonic major chord: Lydian\n4  | EbMaj7     # a non-tonic major chord: Lydian\n# area: D minor (A 4–6)\n4  | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7         # V7 of D minor: b9 and b13 are in the key\n5  | Dm7        # tonic minor: Dorian by convention\n5  | C7         # V7\u002FbIII in D minor: natural tensions\n6  | FMaj7      # bIII of D minor: the relative major itself\n6  | F13        # bIII7 in D minor, not resolving: natural tensions\n# area: Ab major (A 6–7)\n6  | A7         # tritone substitute: resolves down a half step to Ab6\n7  | Ab6        # tonic: the 4th is in the key\n# area: Gb major (A 7–15)\n7  | G7         # tritone substitute: resolves down a half step to GbMaj7#11\n8  | GbMaj7#11  # from the symbol: #11\n8  | Fm7        # a borrowed minor chord: Dorian, its own key\n9  | Bbm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | AbMaj7     # a non-tonic major chord: Lydian\n10 | GbMaj7     # tonic: the 4th is in the key\n10 | Fm7        # a borrowed minor chord: Dorian, its own key\n11 | Bbm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | Gb6        # tonic: the 4th is in the key\n12 | Ebm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Cm7        # a borrowed minor chord: Dorian, its own key\n13 | DbMaj7     # a non-tonic major chord: Lydian\n13 | B7#11      # tritone substitute: resolves down a half step to Bbm7\n14 | Bbm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Eb7        # V7\u002Fii in Gb: the b13 is in the key\n15 | Abm7       # ii of Db7: Dorian\n15 | Db7        # V7\u002FI in Gb: natural tensions\n# area: Ab major (A 16–21)\n16 | Gm7b5      # iiø7 of C7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7#9       # V7\u002Fvi in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n17 | Bbm7       # ii: Dorian, the key’s own notes\n17 | Ebm6       # a minor sixth chord: Dorian\n18 | Ab7        # V7\u002FIV in Ab: natural tensions\n18 | DbMaj7     # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n19 | Gm7b5      # iiø7 of C7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n19 | C7#9       # V7\u002Fvi in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n20 | Cm7b5      # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | F7b9       # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n21 | Bbm7       # ii: Dorian, the key’s own notes\n# area: F major (A 21–24)\n21 | Gm7b5      # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n21 | C7         # V7 of F: natural tensions\n22 | FMaj7      # tonic: the 4th is in the key\n22 | B7#11      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n23 | DMaj7#11   # from the symbol: #11\n23 | FMaj7#11   # from the symbol: #11\n24 | EMaj7      # a non-tonic major chord: Lydian\n@ending 1 9 16\n@ending 2 17 24\n",1793575888796]